Debashish Dasgupta's 'Kyun Hum Par Maa Upkar Nahin' had a release date set for March 13, 2009. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 10 in Aaya Bhawani Dar Pe Tere by Debashish Dasgupta, Rekha Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Kyun Hum Par Maa Upkar Nahin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kyun Hum Par Maa Upkar Nahin by Debashish Dasgupta is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Mera Koi Na Sahara Bin Tere | Rajkumar Vinayak | A♭ Major | 9 | 4B | 99 BPM | ||
| Deva Ho Deva Ganpati Deva | Manish Tiwari | A♭ Major | 6 | 4B | 148 BPM | ||
| Ave Rusya Na Kar | Sadhhwi Purnima Ji | E♭ Minor | 6 | 2A | 100 BPM | ||
| Aa Jaao Zara | Hassan Jahangir | E♭ Major | 4 | 5B | 110 BPM | ||
| Zari Ki Pagari Bandhey Sunder Aankhon Wala | Mridul Krishan Shastri | F♯ Major | 8 | 2B | 142 BPM | ||
| Do Mastane Chale Zindagi Banane - Jhankar | S. P. Balasubrahmanyam, Debashish Dasgupta | B♭ Minor | 9 | 3A | 166 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Sarveshwari Jagdishwari He Maat Roop Maheshwari | Jagjit Singh | C Minor | 3 | 5A | 73 BPM | ||
| Jara Der Thahro Ram | Devendra Pathak | B♭ Minor | 7 | 3A | 85 BPM | ||
| Rang Dalunga Choli Mein | Debashish Dasgupta, Soham Chakraborty, Shailja, Priya, Vikrant | E♭ Minor | 6 | 2A | 107 BPM | ||
| He ri mai to prem deewani | Ayodhyadas Nimavat | A♭ Minor | 7 | 1A | 175 BPM | ||
| Tere Naam Ka Karam Hai Yeh Sara | Babla Mehta | C Major | 7 | 8B | 127 BPM | ||
| Baba Bam Lahari | Manish Tiwari | B Major | 5 | 1B | 117 BPM | ||
| Jai Jai Bhairavi | Sharda Sinha | A Minor | 9 | 8A | 97 BPM | ||
| Raat Shayam Sapne Mein Aaye | Piyusha-Kailash Anuj | B♭ Minor | 8 | 3A | 82 BPM | ||
| Ram Ji Ki Nikli Sawari | Mohammed Rafi | A Major | 8 | 11B | 125 BPM | ||
| Shivji Ke Jaise | Bela Sulakhe, Debashish Dasgupta, Binay Tiwari, rocky | A Major | 8 | 11B | 127 BPM | ||
| Wo Bhavsagar Se Paar | Debashish Dasgupta, Tulsi Kumar | F Major | 8 | 7B | 172 BPM | ||
| Satnam Wahe Guru | Jagjit Singh | G Major | 6 | 9B | 80 BPM | ||
| Jaise Suraj Ki Garmi Se | Vidhi Sharma | D♭ Minor | 7 | 12A | 154 BPM | ||
| Man Leke Aaya Mata Rani Ke Bhawan Mein | Babla Mehta | A♭ Major | 7 | 4B | 108 BPM | ||
| Zara Halke Gaadi Haako | Kumar Vishwas | A Minor | 5 | 8A | 115 BPM | ||
| Laga Ke Aas Main Baitha Hoon | Rajesh Chandra | D♭ Major | 8 | 3B | 141 BPM | ||
| Vrat Hoon Mein Mangal Ke Din | Debashish Dasgupta | G Minor | 7 | 6A | 87 BPM |