Sam Barsh's 'The Sinmaster' had a release date set for March 25, 2022. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. The Sinmaster's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 9 in Beat Tape, Vol. 13: To The Moon And Back by Sam Barsh. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Sinmaster is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of The Sinmaster by Sam Barsh is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| BB&J | Genr8r, Sam Barsh | D♭ Minor | 5 | 12A | 91 BPM | ||
| The Corner | Chief Adjuah, Braxton Cook | D Minor | 4 | 7A | 82 BPM | ||
| Last Call | Léon Phal, Zacharie Ksyk, Gauthier Toux, Arthur Alard, Rémi Bouyssière | D♭ Major | 7 | 3B | 89 BPM | ||
| Elli | Avishai Cohen, Sam Barsh, Mark Guiliana | F Major | 4 | 7B | 124 BPM | ||
| Morning Dew | Aron Ottignon | C Minor | 1 | 5A | 82 BPM | ||
| Butterscotch | Makaya McCraven | B Major | 5 | 1B | 100 BPM | ||
| Thirty One | Lydian Collective | F♯ Minor | 7 | 11A | 96 BPM | ||
| Isadora | Christian Scott aTunde Adjuah | F♯ Major | 2 | 2B | 169 BPM | ||
| Sleepyhead | Lydian Collective | E♭ Major | 2 | 5B | 64 BPM | ||
| Distance by Clockwork | Neil Cowley Trio | C Major | 0 | 8B | 85 BPM | ||
| Aziza | Kevin Hays, Lionel Loueke | F Minor | 4 | 4A | 93 BPM | ||
| Eighthundred Streets By Feet | Esbjörn Svensson Trio | F Minor | 3 | 4A | 162 BPM | ||
| Nocturne | Julian Lage | D♭ Major | 5 | 3B | 107 BPM | ||
| Neon Cascades | In Embers | E Minor | 3 | 9A | 154 BPM | ||
| SV Interlude | Tenderlonious | G Minor | 0 | 6A | 150 BPM | ||
| La Barma | Foehn Trio | D Minor | 5 | 7A | 107 BPM | ||
| Bonnie Be Good | Brian Blade & The Fellowship Band | D Major | 1 | 10B | 141 BPM | ||
| Why Would I Stop (Theme from the Podcast "The Vaping Fix") [feat. $tarborn] | Sam Barsh, $tarborn | B Minor | 8 | 10A | 142 BPM | ||
| For Clark | Justin Kauflin | F Major | 2 | 7B | 120 BPM | ||
| News from Verona | Portico Quartet | E♭ Major | 5 | 5B | 95 BPM | ||
| Downtime | Robert Glasper Trio | D♭ Major | 3 | 3B | 171 BPM | ||
| The Eraser | Christian Scott aTunde Adjuah | G Major | 6 | 9B | 121 BPM | ||
| Sunrise in Beijing | Chief Adjuah, Elena Pinderhughes, Christian Scott aTunde Adjuah | B♭ Minor | 4 | 3A | 95 BPM | ||
| The Emancipation Procrastination | Christian Scott aTunde Adjuah | D♭ Minor | 5 | 12A | 124 BPM | ||
| Plans Change | Sam Barsh, Ari Folman-Cohen, Tim Collins, Jaimeo Brown Transcendence | A♭ Major | 5 | 4B | 83 BPM |