"Marie - Interlude - Martin" by Donald Rubinstein had its release date on November 7, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Donald Rubinstein's "Martin/ Pollock - The Unused Score" album is number 18 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, Marie - Interlude - Martin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Marie - Interlude - Martin by Donald Rubinstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Imperial Dreams Don't Die | Fiona Ubong | E♭ Minor | 2 | 2A | 151 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Das schoß des irrtums | Popol Vuh | B Major | 5 | 1B | 100 BPM | ||
| Filthy Dog | Mark Korven | E♭ Minor | 4 | 2A | 134 BPM | ||
| The House | Pino Donaggio | C Minor | 3 | 5A | 89 BPM | ||
| Ask Him Why He Killed My Brother | Cliff Martinez, Gregory Tripi | C Minor | 0 | 5A | 168 BPM | ||
| Leed's House - From "Manhunter" Soundtrack | The Reds | A Minor | 0 | 8A | 119 BPM | ||
| Here Comes The Cure | Bobby Krlic | A Major | 1 | 11B | 65 BPM | ||
| Sleepless | Roque Baños | D♭ Minor | 0 | 12A | 94 BPM | ||
| Prologue | Christopher Young | C Major | 0 | 8B | 77 BPM | ||
| Sonovabitch | Mark Korven | E Major | 0 | 12B | 111 BPM | ||
| Murder / Mermaid / Heavy Labour | Mark Korven | C Major | 1 | 8B | 72 BPM | ||
| Elegy of the Veiled Horizons | Arjun Tara | B♭ Major | 0 | 6B | 76 BPM | ||
| Alice Goes to the Lake (Parts 1 and 2) | Harry Manfredini | D Major | 0 | 10B | 52 BPM | ||
| Balkan Burns | Wojciech Kilar | A Major | 7 | 11B | 84 BPM | ||
| Party, Crash | Colin Stetson | B♭ Minor | 2 | 3A | 150 BPM | ||
| Shadow of the Vampire | Silent Orchestra | E Minor | 1 | 9A | 76 BPM | ||
| The Bed Axe | Harry Manfredini | C Major | 1 | 8B | 72 BPM | ||
| The Garden of Earthly Delights | Spk | F Major | 7 | 7B | 121 BPM | ||
| Morning After | Charles Bernstein | E♭ Major | 3 | 5B | 100 BPM | ||
| Tenebrous | Marcus Fjellström | A♭ Major | 5 | 4B | 64 BPM | ||
| Casos Especiales | Universos Terrenales | E Minor | 1 | 9A | 125 BPM | ||
| March Of The Dead | Joseph Loduca | C Minor | 4 | 5A | 97 BPM | ||
| Die Fulci Nummer | Bohren & Der Club Of Gore | C Minor | 0 | 5A | 144 BPM | ||
| Witch - Originale | Goblin | G Major | 10 | 9B | 109 BPM |