"Dance Russe Trepak" by Pyotr Ilyich Tchaikovsky, Mischa Raginsky, Concert Hall Orchestra had its release date on August 1, 1960. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 14 in Around the World, Vol. 1 by Mischa Raginsky, Concert Hall Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Dance Russe Trepak is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dance Russe Trepak by Pyotr Ilyich Tchaikovsky, Mischa Raginsky, Concert Hall Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| The Four Seasons - Autumn in F Major, RV. 293: III. Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | C Major | 2 | 8B | 73 BPM | ||
| Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
| Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
| Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto (Version for Orchestra) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
| Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 139 BPM | ||
| Schwanensee, Ballettsuite op. 20 a - IV. Pas d'action | Symphonic Festival Orchestra, Denise Cloutier | E♭ Minor | 0 | 2A | 105 BPM | ||
| On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
| Swan Lake, Op. 20: No. 5. Pas de Deux: I. Tempo di valse ma non troppo vivo, quasi moderato | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | D Major | 1 | 10B | 180 BPM | ||
| Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma, Kathryn Stott | D Minor | 1 | 7A | 103 BPM | ||
| Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | B♭ Major | 0 | 6B | 138 BPM | ||
| Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
| The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | ||
| La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 168 BPM | ||
| Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 132 BPM | ||
| Requiem: IIa. Dies irae | Giuseppe Verdi, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | C Minor | 4 | 5A | 88 BPM | ||
| Serenade for Strings in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont | D Major | 1 | 10B | 96 BPM | ||
| Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
| The Sleeping Beauty, Op. 66, Prologue: Introduction. The Lilac Fairy | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | E Major | 2 | 12B | 139 BPM |