"Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 4" by Franz Schubert, Krzysztof Kaczka, Members of the Met Orchestra had its release date on April 5, 2024. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Schubert: Works for Flute". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 4 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 4 by Franz Schubert, Krzysztof Kaczka, Members of the Met Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 108 BPM | ||
| Bach: Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. Duchâble for Piano) | Johann Sebastian Bach, François-René Duchâble | G Minor | 0 | 6A | 104 BPM | ||
| Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 1 in C Minor: Allegro molto moderato | Franz Schubert, Krystian Zimerman | C Minor | 0 | 5A | 105 BPM | ||
| Sarabande und Chaconne aus dem Singspiel Almira von Händel, S. 181: Sarabande | George Frideric Handel, Roberto Cominati | C Minor | 0 | 5A | 66 BPM | ||
| La Veneziana (Barcarolle) in G Minor CG 593 | Charles Gounod, Roberto Prosseda | G Minor | 0 | 6A | 86 BPM | ||
| Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
| Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
| Schubert: Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Eric Lu | F♯ Minor | 0 | 11A | 66 BPM | ||
| Fantasy for Piano 4 Hands in F Minor, D. 940: I. Allegro molto moderato – | Franz Schubert, Maurizio Pollini, Daniele Pollini | F Minor | 0 | 4A | 102 BPM | ||
| VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 69 BPM | ||
| 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 168 BPM | ||
| Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
| Bach: Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 126 BPM | ||
| Soirées musicales, Op. 6: No. 2, Nocturne | Clara Schumann, Mika Sasaki | F Major | 0 | 7B | 71 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: III. Allegro assai | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 135 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| The Lark | Mikhail Glinka, Evgeny Kissin | B♭ Minor | 0 | 3A | 96 BPM |