Luigi Boccherini, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman's 'Cello Concerto in D Major, G. 478: III. Rondo' had a release date set for 1983. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Yo-Yo Ma Plays Bach & Boccherini by Yo-Yo Ma. The song's track number on the album is #15 out of 86 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Cello Concerto in D Major, G. 478: III. Rondo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Concerto in D Major, G. 478: III. Rondo by Luigi Boccherini, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman has a tempo of 167 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Cello Concerto in D Major, G. 478: III. Rondo being at 167 BPM, the half-time would be 84 BPM with a double-time of 334 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement | Cologne Chamber Orchestra, Georg Philipp Telemann | B♭ Major | 3 | 6B | 134 BPM | ||
| Albinoni: Concerto for Two Oboes in G Major, Op. 9 No. 6: II. Adagio | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
| Concerto Decimo Con L'Eco, B Dur: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 0 | 12B | 85 BPM | ||
| Oboe Concerto in C Minor: I. Allegro ma poco | Christoph Förster, Xenia Löffler, Batzdorfer Hofkapelle | A Major | 1 | 11B | 102 BPM | ||
| Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
| Quintet No. 2 in G Major, G. 438: II. Adagio non tanto | Luigi Boccherini, Jean-Pierre Rampal, Régis Pasquier, Roland Pidoux, Mathilde Sternat, Bruno Pasquier | D Major | 1 | 10B | 78 BPM | ||
| Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande | Johann Sebastian Bach, Yo-Yo Ma | F♯ Major | 0 | 2B | 146 BPM | ||
| Concerto for Viola and Orchestra in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | F♯ Major | 2 | 2B | 131 BPM | ||
| I Could Have Danced All Night - Extended version | Frederick Loewe, Yo-Yo Ma, Steven Prutsman | A Major | 1 | 11B | 76 BPM | ||
| Sonata in G Major, G. 5: I. Largo | Luigi Boccherini, Bruno Cocset, Les Basses Réunies | D Minor | 2 | 7A | 76 BPM | ||
| Cello Sonata in G Major: I. Allegro non troppo | Giovanni Battista Sammartini, Andrea Noferini, Bruno Canino | G Major | 1 | 9B | 80 BPM | ||
| Concerto Grosso in C Minor, Op. 3, No. 11: II. Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E♭ Major | 0 | 5B | 164 BPM | ||
| Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 113 BPM | ||
| Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | D♭ Major | 1 | 3B | 121 BPM | ||
| Concerto in F Major, S. 234: II. Adagio | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 77 BPM | ||
| Purcell / Arr. Balsom: King Arthur, Z. 628, Act I: Come If You Dare | Henry Purcell, Alison Balsom, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 178 BPM | ||
| Cello Sonata in C major, Op.5, No.3: 3. Affettuoso | Francesco Geminiani, Heinrich Schiff, Ton Koopman, Jaap Ter Linden | C Minor | 0 | 5A | 173 BPM | ||
| Concerto grosso No. 1 in A Major: I. Adagio (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM | ||
| Sonata No. 12, Op. 2: Ciaccona | Benedetto Marcello, Les Inventions | E Major | 1 | 12B | 123 BPM | ||
| Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto | Johannes Brahms, Yo-Yo Ma, Emanuel Ax | F Major | 1 | 7B | 63 BPM | ||
| Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 102 BPM | ||
| Quartet in E Minor, TWV 43:E2: II. Allegro | Georg Philipp Telemann, Isaac Stern, Matthias Spaeter, Mstislav Rostropovich, Jean-Pierre Rampal | G Major | 1 | 9B | 108 BPM | ||
| Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part II: Qui deh meco t'arresta, ove di fiori | Claudio Monteverdi, Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 79 BPM | ||
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| String Trio in D Major, Op. 14, No. 4, G. 98: I. Allegro giusto | Luigi Boccherini, La Real Cámara | A Major | 1 | 11B | 82 BPM |