Thomas Robinson, Rolf LaFleur, Bengt Ericson's ' "Passamezo Galyard (Arr. For lute and viola da gamba)" was released on its scheduled release date, December 1, 1993. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Passamezo Galyard (Arr. For lute and viola da gamba)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rolf LaFleur, Bengt Ericson's "Music for Viola Da Gamba And Lute" album is number 11 out of 16. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Passamezo Galyard (Arr. For lute and viola da gamba) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Passamezo Galyard (Arr. For lute and viola da gamba) by Thomas Robinson, Rolf LaFleur, Bengt Ericson to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lute pieces transcribed for harp or harpsichord: No. 20 in D Major, La muzzette en rondeau | Robert de Visée, Hopkinson Smith | F♯ Major | 1 | 2B | 100 BPM | ||
| Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
| Baxa de Contrapunto | Luis de Narváez, Lutz Kirchhof | A Minor | 1 | 8A | 105 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Lute Sonata No. 1: IV. Sarabanda | Giovanni Zamboni, Luciano Còntini | B Major | 0 | 1B | 140 BPM | ||
| Tarleton's Resurrection, P. 59 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Dowland's Tears (Arr. N. North of I Saw My Lady Weep) | Nigel North | D♭ Major | 1 | 3B | 128 BPM | ||
| Chiaccona in partite variate | Alessandro Piccinini, Playfords | D♭ Minor | 0 | 12A | 70 BPM | ||
| Suite in D Minor: II. Paduan | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 127 BPM | ||
| A Playne Song | Thomas Robinson, Les Witches | A♭ Major | 0 | 4B | 124 BPM | ||
| Pavana lachrimae | Joachim van den Hove, Joachim Held | A Major | 2 | 11B | 164 BPM | ||
| Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
| Canzona seconda a 2 canto e basso | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 144 BPM | ||
| Mrs. Nichols Almain, P. 52: Mrs. Nichols' Almain, P. 52 | John Dowland, Nigel North | F Minor | 1 | 4A | 78 BPM | ||
| Pièces de théorbe, Suite in A Minor: III. Courante | Robert de Visée, Xavier Diaz-Latorre | A Major | 1 | 11B | 125 BPM | ||
| Glosa Sobre el Cum Sancto (Tiento del Séptimo Tono) | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 108 BPM | ||
| Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
| Con amores, mi madre | Juan de Anchieta, Accentus Ensemble, Thomas Wimmer | D Minor | 2 | 7A | 158 BPM | ||
| Lute Sonata in G Minor, Op. 1, No. 4: I. Largo | Adam Falckenhagen, Andrew Maginley | D♭ Major | 0 | 3B | 137 BPM | ||
| Dance de las Hachas, IGS 6 (Arr. for Trio) | Chamber Ensemble | B Major | 1 | 1B | 131 BPM | ||
| La mia Barbara | John Dowland, Joachim Held | E Major | 1 | 12B | 79 BPM | ||
| Suite No. 9 en ré mineur: Allemande | Robert de Visée, Sandro Volta | D♭ Minor | 0 | 12A | 99 BPM | ||
| Balletto | Vincenzo Capirola, Shirley Rumsey | D Major | 0 | 10B | 81 BPM | ||
| My Lord Willoughby's welcome home | Thomas Robinson, Joachim Held | F Minor | 1 | 4A | 80 BPM | ||
| Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM |