Amanda Rontgen-Maier, Bengt Forsberg's 'Zwiegespräche (Excerpts): No. 10, Allegro molto vivace' had a release date set for June 15, 2019. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Zwiegespräche (Excerpts): No. 10, Allegro molto vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 69 in Amanda Maier: Complete Works by Amanda Rontgen-Maier, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Zwiegespräche (Excerpts): No. 10, Allegro molto vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zwiegespräche (Excerpts): No. 10, Allegro molto vivace by Amanda Rontgen-Maier, Bengt Forsberg is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude No. 5 | Federico Mompou, Mao Fujita | A Major | 3 | 11B | 80 BPM | ||
| Metamorphosis | Eunike Tanzil, Sophie Kauer, Deutsches Symphonie-Orchester Berlin, Anna Handler | B Minor | 2 | 10A | 85 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Byrd: Pavan and Two Galliards: I. The Earl of Salisbury Pavan | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| 2 Pieces, Op. 10: No. 1, Nocturne in F Major | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 133 BPM | ||
| Piano Sonata in C Major, Hob XVI:35: II. Adagio | Joseph Haydn, Jeneba Kanneh-Mason | C Major | 0 | 8B | 82 BPM | ||
| Estrellita (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Manuel Ponce, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Violin Concerto in D Minor, Op. 8: II. Lento ma non troppo | Richard Strauss, Renaud Capuçon, Wiener Symphoniker, Petr Popelka | G Minor | 1 | 6A | 88 BPM | ||
| Emily: II. Con anima | Polina Nazaykinskaya, Julie Sévilla-Fraysse, Anastasia Calmus | F♯ Minor | 1 | 11A | 79 BPM | ||
| Nocturne No. 2 in C Minor, H. 25 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| Ponce: Estrellita (Arr. Heifetz for Violin and Piano) | Manuel Ponce, Augustin Hadelich, Orion Weiss | C Major | 3 | 8B | 100 BPM | ||
| II. Lento | Cécile Chaminade, Neave Trio | E Major | 0 | 12B | 135 BPM | ||
| Consolation No. 3, S. 172/3 (Arr. Cooper for Saxophone & Ensemble) | Franz Liszt, Jess Gillam, Jess Gillam Ensemble | F♯ Major | 2 | 2B | 136 BPM | ||
| Erbarme dich, mein Gott Variation (After Matthäuspassion, BWV 244, No. 47: Erbarme dich, mein Gott) [Arr. for Violin, String Quintet & Piano by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | G Major | 0 | 9B | 165 BPM | ||
| L'Abbandono | Giovanni Allevi | F Major | 5 | 7B | 67 BPM | ||
| Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
| Danzas Argentinas, Op. 2: II. Danza de la Moza Danosa | Alberto Ginastera, James Rhodes | E Minor | 0 | 9A | 73 BPM | ||
| Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
| Ariadne's Lament (Variations on a Theme by Claudio Monteverdi) | Vladimir Kobekin, Anastasia Kobekina | D♭ Minor | 1 | 12A | 85 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 3: Dido's Lament (Arr. Diluka for Piano) | Henry Purcell, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Concerto in D Minor: II. Adagio | Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo | D Minor | 0 | 7A | 144 BPM | ||
| Zwiegespräche (Excerpts): No. 3, Allegro energico | Amanda Rontgen-Maier, Bengt Forsberg | E Minor | 1 | 9A | 119 BPM | ||
| Soir et matin, Op. 76: I. Soir | Mel Bonis, Neave Trio | E Minor | 0 | 9A | 63 BPM | ||
| La finta giardiniera, K. 196: Cavatina. Geme la tortorella (Arr. Isserlis for Cello and Orchestra) | Wolfgang Amadeus Mozart, Steven Isserlis, The Deutsche Kammerphilharmonie Bremen | A Major | 2 | 11B | 93 BPM |