"Last Out" by Carly Paradis had its release date on April 5, 2011. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "They Have Been Watching". In this album, this song's track order is #3. Based on our statistics, Last Out's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Last Out by Carly Paradis having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Head of the Family | Rupert Gregson-Williams | D Minor | 0 | 7A | 68 BPM | ||
| Ecstasy | Theodore Shapiro | C Major | 2 | 8B | 87 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Where Is Winston? | Dario Marianelli, Víkingur Ólafsson | G Major | 7 | 9B | 104 BPM | ||
| A Miraculous Return | Rupert Gregson-Williams | E Minor | 3 | 9A | 136 BPM | ||
| Liftoff and Staging | Matt Morton | G Major | 3 | 9B | 82 BPM | ||
| Welcome to Lunar Industries | Clint Mansell | F♯ Minor | 3 | 11A | 112 BPM | ||
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| Shine On | Kamreno | G Major | 4 | 9B | 180 BPM | ||
| Fleming Follows | Carly Paradis | A Minor | 5 | 8A | 116 BPM | ||
| The Innocents | Carly Paradis, EERA, London Contemporary Orchestra | E Minor | 9 | 9A | 155 BPM | ||
| Breaking A Promise | Ryan Amon | C Minor | 2 | 5A | 111 BPM | ||
| Gehenna | Thomas Newman | A Major | 0 | 11B | 85 BPM | ||
| Mom’s Got Work | Adam Taylor | A Minor | 4 | 8A | 174 BPM | ||
| Fortress Europe | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Final Journey | Benjamin Wallfisch, Chris Egan | G Minor | 4 | 6A | 130 BPM | ||
| Path of Paternal Secrets | Junkie XL | F Minor | 3 | 4A | 145 BPM | ||
| Walkie Talkie | Marco Beltrami, Brandon Roberts | E Minor | 1 | 9A | 89 BPM | ||
| Rockwell Codex Archives - The Purple and The Red 1 | Gareth Coker | G Minor | 4 | 6A | 130 BPM | ||
| Limited Casualties | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| Moira and June Escape | Adam Taylor | D♭ Major | 2 | 3B | 90 BPM | ||
| Irreversible | Jeroen Swinnen, David Martijn | C Minor | 1 | 5A | 67 BPM | ||
| I’ve Found Dan | David Martijn | E Minor | 0 | 9A | 71 BPM | ||
| Catherine's Theme | Ben Foster | F♯ Minor | 3 | 11A | 115 BPM | ||
| Line of Duty Opening Title Theme | Carly Paradis | B♭ Minor | 0 | 3A | 72 BPM |