"昴 -すばる- - 2025 Live Version" by Kanji Ishimaru had its release date on November 26, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "ORCHESTRA CONCERT 2025". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Japan. 昴 -すばる- - 2025 Live Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 昴 -すばる- - 2025 Live Version by Kanji Ishimaru having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 最後のダンス | Asato Shizuki | F Minor | 5 | 4A | 74 BPM | ||
| 死んだ男の残したものは | Toru Takemitsu, Kanji Ishimaru, つのだたかし | F Major | 1 | 7B | 120 BPM | ||
| The Point Of No Return | Gekidan Shiki Long-Run Cast, Andrew Lloyd Webber | F Minor | 4 | 4A | 165 BPM | ||
| MI・YO・TA | Toru Takemitsu, Kanji Ishimaru, つのだたかし | G Major | 1 | 9B | 132 BPM | ||
| 神よ何故?(ミス・サイゴン) [Live at Yomiuri Otemachi Hall, 2020/11/6] | 小野田龍之介 | C Major | 3 | 8B | 79 BPM | ||
| 虹 - 2016 ver. | Naotaro Moriyama | E♭ Major | 4 | 5B | 78 BPM | ||
| 涙をこえて | 横山琢哉, 千葉大学合唱団 | E Major | 2 | 12B | 78 BPM | ||
| アメイジング・グレイス | John Newton, Minako Honda | C Minor | 3 | 5A | 96 BPM | ||
| モルダウ(「わが祖国」より) | 早稲田実業学校音楽部合唱班 | F Major | 4 | 7B | 120 BPM | ||
| Compass of Your Heart | Kei Otozuki | G Major | 4 | 9B | 86 BPM | ||
| Think Of Me | Daisuke Yanase, Kazuyo Kawai, Rumi Iryo, Gekidan Shiki Long-Run Cast, Andrew Lloyd Webber | E♭ Major | 2 | 5B | 116 BPM | ||
| Shadowland - Shiki version 2011 | SHIKI THEATRE COMPANY | A Minor | 4 | 8A | 82 BPM | ||
| 僕こそミュージック(モーツァルト!) [Live at Yomiuri Otemachi Hall, 2020/11/6] | 小野田龍之介 | G Major | 3 | 9B | 79 BPM | ||
| 走る雲を追いかけて | SHIKI THEATRE COMPANY | B♭ Major | 6 | 6B | 136 BPM | ||
| Great Spirits / Yoshimi Tendo - Japanese Version | Yoshimi Tendo | A Major | 7 | 11B | 86 BPM | ||
| The Soldier's Tale: Part 2, Three Dances: 1. Tango - Japanese Narration by Kanji Ishimaru | Igor Stravinsky, Kanji Ishimaru | G Major | 0 | 9B | 63 BPM | ||
| 憂国のモリアーティ Op.2 | 鈴木勝吾, 平野良, 久保田秀敏, 山本一慶, 井澤勇貴, 赤澤遼太郎, 鎌苅 健太, 七木奏音, 髙木俊, 大湖せしる, 根本正勝, ミュージカル『憂国のモリアーティ』Op.2 | G Major | 6 | 9B | 139 BPM | ||
| A Dream Is a Wish Your Heart Make | AMI ITABASHI | G Minor | 2 | 6A | 77 BPM | ||
| Why Have You Brought Me Here / Raoul, I've Been There | Daisuke Yanase, Andrew Lloyd Webber, Gekidan Shiki Long-Run Cast, Rumi Iryo | A Minor | 4 | 8A | 188 BPM | ||
| 最後の一歩 最初の一歩【同声】 | 若松 歓, 友清和親 指揮/彩の国上尾少年少女合唱団/西脇小百合 ピアノ | B♭ Major | 2 | 6B | 80 BPM | ||
| 輝いて ~ハッピー・サイエンス・ユニバーシティ 校歌~ | 大門一也 | C Major | 4 | 8B | 109 BPM | ||
| A Midsummer Night's Dream, Op. 61: No. 5 Intermezzo. Allegro appassionato, p. 103 - Japanese Version | Felix Mendelssohn, Kanji Ishimaru, Claudio Abbado, Berliner Philharmoniker | A Minor | 2 | 8A | 96 BPM | ||
| A Whole New World | Kairi Hokusho, Fu Hinami | A♭ Major | 3 | 4B | 126 BPM | ||
| 愛と死の輪舞 | Asato Shizuki | C Major | 5 | 8B | 82 BPM | ||
| 紅のマスカレード | Mitsuhiro Oikawa | E Minor | 7 | 9A | 123 BPM |