On December 31, 1943, the song "Vannap Puraave Nee Yaar" was released by Ranjan, Kothamangalam Subbu. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in S. Rajeshwar Rao, Kothamangalam Subbu's "Mangamma Sabatham (Original Motion Picture Soundtrack)" album is number 14 out of 14. On top of that, India appears to be the country where this track was created. Based on our statistics, Vannap Puraave Nee Yaar's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Vannap Puraave Nee Yaar by Ranjan, Kothamangalam Subbu to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaavadiya Thookikittu | Veeramanidaasan | G Major | 9 | 9B | 113 BPM | ||
| Magale Adi Magale | Anuradha Sriram | F Major | 7 | 7B | 127 BPM | ||
| Sequence Song KSKR | Samir, Ranjan | D♭ Major | 9 | 3B | 186 BPM | ||
| Muzhu Nila | Bharani, Harish Raghavendra, Harini, Pa. Vijay | E Major | 8 | 12B | 120 BPM | ||
| Pallakimyale | Rajesh Krishnan, Sripriya, Padma Hemanth | E♭ Major | 8 | 5B | 80 BPM | ||
| Ollithendhu Hoppaanengilley | milidhane Dinesh, David-Dinesh-Manuel | A Major | 6 | 11B | 80 BPM | ||
| Ee Hareyada Ullasavu | S. P. Balasubrahmanyam | F♯ Major | 7 | 2B | 129 BPM | ||
| Ililu Manasu | Shankar Shanbog, Anuradha Sriram | C Major | 8 | 8B | 130 BPM | ||
| Sequence Song DDMG | Samir, Ranjan | A♭ Minor | 8 | 1A | 88 BPM | ||
| Deh Chiknaail Ba - Bhojpuri Romantic Song | Ranjan | A♭ Minor | 8 | 1A | 97 BPM | ||
| Ettam Varum Neram | Unni Menon | F Minor | 7 | 4A | 75 BPM | ||
| Jaiambike | B. R. Chaya | C Minor | 6 | 5A | 150 BPM | ||
| En Balagan | MG Avinash | E♭ Major | 7 | 5B | 133 BPM | ||
| Nagaloka Bhuviyali | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Moi Hom Bijuli | Diganta Gohain | D Major | 6 | 10B | 121 BPM | ||
| Hennigondu Gandu Beku | Charan Balasubramanian, Manjula Gururaj, B. Jayashri | A Major | 7 | 11B | 135 BPM | ||
| Kadubu Thuppa Salisuve | B. R. Chaya | D Major | 8 | 10B | 90 BPM | ||
| Antha Maamalai Sabarikku | Unnikrishnan | A Minor | 6 | 8A | 127 BPM | ||
| Nee Oru Pakkam | Deva, Vaali, S. P. Balasubrahmanyam, K. S. Chithra | A Major | 8 | 11B | 111 BPM | ||
| Sagara Sagara | Rajesh Krishnan, K. S. Chithra | B♭ Minor | 8 | 3A | 92 BPM | ||
| Muruga | Badaga Tunes | C Minor | 8 | 5A | 149 BPM | ||
| Swamiye Sharanam Ayyappa | Ajay Warior | B♭ Minor | 9 | 3A | 173 BPM | ||
| Appan Enna | Deva, Pulamaipithan, S. Janaki | G Major | 4 | 9B | 130 BPM | ||
| Akashara Dhumaketu Nianra Pahada | Samir, Ranjan | A Major | 8 | 11B | 83 BPM | ||
| Neyyum Uruguthu | Srihari | C Minor | 8 | 5A | 93 BPM |