Hideaki Tokunaga's '最後の言い訳' had a release date set for 1992. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The track order of this song in Hideaki Tokunaga's "INTRO.II" album is number 1 out of 14. On top of that, Japan appears to be the country where this track was created. The popularity of 最後の言い訳 is currently average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 最後の言い訳 by Hideaki Tokunaga to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 愛は時を越えて | Junko Ohashi | D♭ Minor | 8 | 12A | 120 BPM | ||
| MARIA - Remastered 2022 | Eikichi Yazawa | D Minor | 5 | 7A | 99 BPM | ||
| 翼の折れたエンジェル | Ayumi Nakamura | E Major | 7 | 12B | 121 BPM | ||
| 愛燦燦-AI SAN SAN- | Mayumi Itsuwa, Kei Ogura | F Minor | 4 | 4A | 79 BPM | ||
| 翼あるもの | Kai Band | E Minor | 7 | 9A | 82 BPM | ||
| MYSELF~風になりたい~ | Hideaki Tokunaga | D Major | 3 | 10B | 142 BPM | ||
| LOVE AFFAIR~秘密のデート | サザンオールスターズ | D Major | 9 | 10B | 134 BPM | ||
| きっと、また逢える… | Seiko Matsuda | A♭ Major | 5 | 4B | 138 BPM | ||
| 逢いたくなった時に 君はここにいない | サザンオールスターズ | D Major | 7 | 10B | 97 BPM | ||
| 時のいたずら | Chiharu Matsuyama | G Minor | 5 | 6A | 90 BPM | ||
| フレンズ | REBECCA | G Major | 10 | 9B | 157 BPM | ||
| ff(フォルティシモ) | 大友康平 | C Major | 9 | 8B | 120 BPM | ||
| Forever | Takashi Sorimachi | F Major | 7 | 7B | 121 BPM | ||
| YELLを君に | Yasuhiro Yamane | B♭ Major | 4 | 6B | 138 BPM | ||
| 幸せな結末 | 大滝詠一 | F Major | 6 | 7B | 116 BPM | ||
| メロディ(Melody) | サザンオールスターズ | C Major | 6 | 8B | 107 BPM | ||
| いつまでも変わらぬ愛を - 2011バージョン | Tetsuro Oda | B♭ Major | 8 | 6B | 127 BPM | ||
| ENDLESS STORY | Hideaki Tokunaga | C Minor | 4 | 5A | 124 BPM | ||
| 大切なあなた | Seiko Matsuda | F♯ Major | 7 | 2B | 113 BPM | ||
| 翼の折れたエンジェル<ストロングバージョン> | Ayumi Nakamura | E Major | 9 | 12B | 125 BPM | ||
| やっぱ好きやねん | Takajin Yashiki | B♭ Major | 4 | 6B | 71 BPM | ||
| いつかきっと | Misato Watanabe | C Minor | 7 | 5A | 114 BPM | ||
| Far away | Shinji Tanimura | A Major | 2 | 11B | 175 BPM | ||
| 夜に傷ついて | Ann Lewis | B Minor | 7 | 10A | 74 BPM | ||
| JUST BECAUSE | THE JAYWALK | A Minor | 6 | 8A | 128 BPM |