"Prelúdio No. 3 (Arranged for 4 Cellos)" by Heitor Villa-Lobos, Raïff Dantas Barreto had its release date on November 29, 2019. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Raïff Dantas Barreto's "Miniaturas Brasileiras" album is number 13 out of 14. On top of that, Brazil appears to be the country where this track was created. Prelúdio No. 3 (Arranged for 4 Cellos) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelúdio No. 3 (Arranged for 4 Cellos) by Heitor Villa-Lobos, Raïff Dantas Barreto to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ária Na Quarta Corda | Paulinho Nogueira | E♭ Major | 0 | 5B | 128 BPM | ||
| Sor: 24 Exercices très faciles, Op. 35: No. 17 in D Major, Moderato | Fernando Sor, Oscar Caceres | G Major | 1 | 9B | 130 BPM | ||
| Elegía por la muerte: II. Melancolia | Maximo Diego Pujol, Ricardo Cobo | D Minor | 2 | 7A | 119 BPM | ||
| 3 Rondo Brillants, Op. 2: No. 2, Andante - Rondo moderato | Dionisio Aguado, Emanuele Buono | A Minor | 1 | 8A | 90 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| Série brasileira: IV. Batuque | Alberto Nepomuceno, Minas Gerais Philharmonic Orchestra, Fabio Mechetti | C Major | 3 | 8B | 102 BPM | ||
| Aquarelle: II. Valseana | Sérgio Assad, Pedro Aguiar | D Major | 1 | 10B | 77 BPM | ||
| Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
| 5 Bagatelles: IV. Sempre espressivo | William Walton, Ana Vidovic | B Minor | 0 | 10A | 117 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Jean-Pierre Rampal, Marielle Nordmann | E♭ Major | 1 | 5B | 94 BPM | ||
| Partita No. 7 in C Major (Arr. G. Buscemi for Guitar): II. Andante | Giuseppe Antonio Brescianello, Giuseppe Buscemi | D Major | 1 | 10B | 106 BPM | ||
| Milonga del viento | Jorge Morel, Ricardo Cobo | E Minor | 0 | 9A | 164 BPM | ||
| Dansa brasileira | Camargo Guarnieri, Simón Bolívar Symphony Orchestra Of Venezuela, Maximiano Valdes | E Major | 3 | 12B | 102 BPM | ||
| Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
| Concierto De Aranjuez: 1. Allegro Con Spirito | Paco de Lucía, Orquesta De Cadaques | F Major | 4 | 7B | 89 BPM | ||
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
| Valses Poéticos H. 147, DLR 7:8: No. 1: Melódico | Enrique Granados, Xavier De Maistre | A Major | 0 | 11B | 149 BPM | ||
| Bach's Lute Suite In E Minor, BWV 996 - Bourrée | Andrés Segovia | A♭ Minor | 1 | 1A | 91 BPM | ||
| 12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre, Lucero Tena | E Minor | 1 | 9A | 151 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| Sonata in D Minor, K. 32 (Arr. for Guitar by Michael Lewin) | Domenico Scarlatti, Miloš Karadaglić | E Minor | 0 | 9A | 110 BPM | ||
| Suite antique (Version for Guitar) [Excerpts]: I. Prélude | John Rutter, Graham Anthony Devine | A Minor | 0 | 8A | 119 BPM | ||
| Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | ||
| 6 Morceaux, Op. 4: IV. Berceuse | Henrique Oswald, Braz Velloso | E♭ Major | 0 | 5B | 86 BPM | ||
| Barrios Mangoré: La catedral: III. Allegro solemne | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM |