On June 7, 2004, the song "Bhaduti Makan Taru" was released by Rekha Rathod. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Pardeshi Veera, Vol. 4". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Bhaduti Makan Taru is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bhaduti Makan Taru by Rekha Rathod having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holi Aayi Ude Re Gulaal | Babu Rajoriya, Suresh Jeriya, Lata Panwar, Rekha Rathod, Preeti Rai, Bindiya Solanki | A♭ Minor | 6 | 1A | 140 BPM | ||
| Ghani Khamma Deshana Dham Ne | Keshav Depawat | E♭ Major | 8 | 5B | 130 BPM | ||
| Haiye Rejo Raj | Rekha Rathod, Prabhat Barot | C Major | 9 | 8B | 137 BPM | ||
| Nache Le Chori Nachle Chori Aajki Rate Nindomai | Jashvant Rathva, Satish Tarabada, Tulsi Tarabada | B♭ Minor | 8 | 3A | 120 BPM | ||
| Vinavo Hoy To Rush | Damyanti Bardai | F♯ Major | 9 | 2B | 122 BPM | ||
| Shri Ganpati Maharaj | Suresh Wadkar | A♭ Major | 6 | 4B | 76 BPM | ||
| Aadhi Raat Ko Aaye Balam | Diwakar Dwivedi | D♭ Major | 6 | 3B | 154 BPM | ||
| Nibua Utare Koi | Shahnaz Akhtar | D♭ Major | 6 | 3B | 105 BPM | ||
| Swaminarayan Hari Hari | Harikrishna Patel | F♯ Major | 8 | 2B | 133 BPM | ||
| Mahakal Bhajan | Nitin Bagwan | F♯ Minor | 5 | 11A | 86 BPM | ||
| Hanuman Alak | Babu Rajoriya, Sanjay, Rekha Rathod, Prakash Chauhan, Anil, Mukesh | E Major | 4 | 12B | 128 BPM | ||
| Balako Ne Samjo | Devayat Khavad | D♭ Major | 6 | 3B | 140 BPM | ||
| Palna | Chhagan Chougule | G Major | 5 | 9B | 133 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Janme Avadh Mein Ram | Prem Prakash Dubey | D♭ Major | 8 | 3B | 105 BPM | ||
| Chalo Chalo Runecha | Rafiq Sagar | B Major | 7 | 1B | 83 BPM | ||
| Hari Ni Hatadiye Mare Kayam Nu | Mathur Bhai Kanjariya, Govind Aahir, Rekha Rathod, Anu Ben Bharvad, Poonam Barot, Jayshree Ben Sadhaviji | G Minor | 7 | 6A | 180 BPM | ||
| Chhogada Taru Chhogaliyu | Hasmukh Patadiya | F♯ Major | 7 | 2B | 144 BPM | ||
| Laharawathe Jawara | Dukalu Yadav | B Major | 9 | 1B | 153 BPM | ||
| Ashwari Hans Laali Shobhti Re | Hamir Gadhvi, Rekha Rathod, Uday Gadhvi | A Major | 5 | 11B | 130 BPM | ||
| Manjeero Satar | Hari Bharwad | B Major | 4 | 1B | 103 BPM | ||
| Bawal Hoge Re | Chhaya Chandrakar, Gofelal Gendle | B Major | 9 | 1B | 81 BPM | ||
| Van Ma Bole Jina Mor | Prabhat Barot, Rekha Rathod | A♭ Major | 9 | 4B | 93 BPM | ||
| Ghunghatma Karshu Have Pritdi - Original | Prabhat Barot, Rekha Rathod, NA | G Major | 6 | 9B | 150 BPM | ||
| Aarji Karina Ke | Karina Pandey | F♯ Major | 5 | 2B | 144 BPM |