The Mills Brothers's ' "Standing On The Corner" was released on its scheduled release date, January 1, 1995. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Standing On The Corner's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "The Anthology: 1931 - 1968". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Standing On The Corner is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Standing On The Corner by The Mills Brothers having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Freedom Train - Remastered | Margaret Whiting | F Minor | 3 | 4A | 155 BPM | ||
| Allegheny Moon | Patti Page | A Major | 3 | 11B | 105 BPM | ||
| There! I've Said It Again - Alternate Take | Vaughn Monroe | D♭ Major | 4 | 3B | 73 BPM | ||
| It Had to Be You | Jo Stafford | D♭ Major | 1 | 3B | 120 BPM | ||
| Isn’t It Romantic? | Mel Tormé | E♭ Major | 0 | 5B | 100 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Till There Was You - Remastered 1995 | Peggy Lee | C Major | 2 | 8B | 100 BPM | ||
| Old Cape Cod | Patti Page | E Major | 2 | 12B | 80 BPM | ||
| Boo Hoo | Guy Lombardo | C Major | 2 | 8B | 180 BPM | ||
| Sweet Sue, Just You | The Mills Brothers | F♯ Major | 2 | 2B | 188 BPM | ||
| I'm Gonna Sit Right Down and Write Myself a Letter | Billy Williams | D♭ Major | 2 | 3B | 138 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| Be My Life's Companion - 1958 version | The Mills Brothers | F Major | 2 | 7B | 133 BPM | ||
| Please Don't Talk About Me When I'm Gone | Gene Austin | E♭ Major | 3 | 5B | 76 BPM | ||
| Road To Bali: To See You Is To Love You | Bob Hope | G Minor | 3 | 6A | 94 BPM | ||
| Stardust | Artie Shaw | F Major | 2 | 7B | 85 BPM | ||
| Once to Every Heart | Jimmy Durante | F♯ Major | 2 | 2B | 105 BPM | ||
| I Guess I'll Have To Change My Plans | Annie Ross, Gerry Mulligan Quartet | F Minor | 3 | 4A | 116 BPM | ||
| Cross Over The Bridge | Patti Page | C Major | 2 | 8B | 94 BPM | ||
| Autumn Leaves | Keely Smith | A Minor | 4 | 8A | 96 BPM | ||
| Dance Ballerina Dance | Vaughn Monroe | A Major | 4 | 11B | 122 BPM | ||
| Again - 78 rpm Version | Doris Day, The Mellomen | E♭ Major | 0 | 5B | 131 BPM | ||
| You Made Me Love You | The Merry Macs | G Major | 2 | 9B | 81 BPM | ||
| Lollipops And Roses | Jack Jones | F♯ Major | 2 | 2B | 119 BPM | ||
| And So To Sleep Again | Patti Page | F Major | 2 | 7B | 81 BPM |