Marcus Roberts's 'Time And Circumstance' had a release date set for June 11, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Time And Circumstance". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Time And Circumstance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Time And Circumstance by Marcus Roberts having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Waited For You | Joe Lovano | F Major | 1 | 7B | 116 BPM | ||
| Leave Me Here | Triosence | B♭ Minor | 3 | 3A | 104 BPM | ||
| After You've Gone | Eddie Henderson | B♭ Major | 2 | 6B | 47 BPM | ||
| Where or When | Wynton Marsalis | E Major | 0 | 12B | 125 BPM | ||
| Blues and Sentimental | Jay McShann | B♭ Major | 1 | 6B | 148 BPM | ||
| So Lovely | Ben Wolfe | E♭ Minor | 1 | 2A | 95 BPM | ||
| Sunset | McCoy Tyner Trio | D Major | 1 | 10B | 131 BPM | ||
| To You | The Gene Harris Quartet | D Minor | 0 | 7A | 67 BPM | ||
| My Shining Hour | Roy Hargrove Quintet | E♭ Major | 3 | 5B | 96 BPM | ||
| Fantastic, That's You | Earl Hines | C Major | 1 | 8B | 68 BPM | ||
| The Trouble With Hello Is Goodbye | The Gene Harris Quartet | G Minor | 1 | 6A | 95 BPM | ||
| Way 'Cross Town | Benny Green, Peter Washington, Kenny Washington | F♯ Major | 3 | 2B | 97 BPM | ||
| Solitude | Marcus Roberts | D♭ Major | 1 | 3B | 70 BPM | ||
| Willow Weep for Me | Billy Taylor | B♭ Minor | 1 | 3A | 64 BPM | ||
| Sun Glimpse | Gerald Clayton | A♭ Major | 0 | 4B | 90 BPM | ||
| The Sheikh | Jessica Williams | A Minor | 1 | 8A | 144 BPM | ||
| The Intimacy of My Woman's Beautiful Eyes | James Carter | G Major | 2 | 9B | 97 BPM | ||
| Chelsea Bridge | Gerry Mulligan, Ben Webster | D♭ Major | 0 | 3B | 112 BPM | ||
| In the Wee Small Hours | Joe Temperley | C Major | 1 | 8B | 176 BPM | ||
| Mood Indigo | Marcus Roberts | F Major | 0 | 7B | 128 BPM | ||
| Blue Monk | J.J. Johnson, Kai Winding | G Major | 2 | 9B | 101 BPM | ||
| I Got It Bad (And That Ain't Good) | Marcus Roberts | C Minor | 0 | 5A | 71 BPM | ||
| El Trato | gamma | A Minor | 4 | 8A | 110 BPM | ||
| At Last | Gene Harris/Scott Hamilton Quintet | F Major | 1 | 7B | 74 BPM | ||
| Morning Brews | Breakfast Jazz | C Major | 0 | 8B | 80 BPM |