Jean-Pascal Beintus's 'Le musee' had a release date set for July 3, 2024. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 21 in Elyas (Bande originale du film) by Jean-Pascal Beintus. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Le musee is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le musee by Jean-Pascal Beintus is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We are Family | Andrea Giordano | D Minor | 0 | 7A | 129 BPM | ||
| 青い孤島 | Arei | E♭ Major | 1 | 5B | 92 BPM | ||
| Meeting With The King | Joseph Vitarelli | D Minor | 2 | 7A | 100 BPM | ||
| どこかではるが | Jean-Pascal Beintus, Diana Damrau, Choeur des Enfants de Montréal, Kent Nagano, Orchestre Symphonique de Montréal | A Minor | 2 | 8A | 94 BPM | ||
| friend | WOOK | G Major | 2 | 9B | 120 BPM | ||
| Fases Nuevas | Nimetas | G Minor | 3 | 6A | 77 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Lost in Time | Milena Korkova, Mila Korr | G Major | 2 | 9B | 70 BPM | ||
| Missing Love Time | Luciano Lombardi | E♭ Major | 1 | 5B | 110 BPM | ||
| Adágio Schumanniano, Op. 40 | Lohan Dietrich | E Minor | 3 | 9A | 85 BPM | ||
| LANZAROTE - Original Animation Soundtrack | DENNIS MATEIS, Giovanni José Déniz Betancort, Olivia Virve Pehme, José María Cuadra Pérez, Mónica Chirino Landraud, Tinguaro Fierro Díaz | G Minor | 2 | 6A | 72 BPM | ||
| Acercamientos | Armonias | F Minor | 1 | 4A | 85 BPM | ||
| Brideshead Revisited: No. 9, Faith | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Guitar Concerto: II. Aria | Maya Badian, Valentin Farkas, Cluj-Napoca Philharmonic Orchestra, Cristian Mandeal | E Minor | 1 | 9A | 97 BPM | ||
| Used to Myself | Ria Mbanefo | E♭ Minor | 0 | 2A | 140 BPM | ||
| Crossing Over | Orchestra Nocturna | E Minor | 2 | 9A | 115 BPM | ||
| Le Petit Prince Suite: Le Petit Prince | Jean-Pascal Beintus, Eva-Christina Schonweiss, Kirsten Ecke, Deutsches Symphonie-Orchester Berlin, Kent Nagano | B Major | 3 | 1B | 78 BPM | ||
| Morning and Choices | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | D♭ Minor | 4 | 12A | 88 BPM | ||
| Luminous Cantabile | Elena Vesova | E Minor | 0 | 9A | 62 BPM | ||
| Can't Lose Won't Lose | Fiona Ubong | B♭ Minor | 1 | 3A | 66 BPM | ||
| 弦楽のための組曲: 第3楽章: O waly waly/おお、ウェイリー、ウェイリー | 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
| Return of Spring | Philipp Alexander Geitmann | D Major | 1 | 10B | 91 BPM | ||
| Liars Go To Hell | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Excesivas Repercusiones | Los Triunfadores | G Minor | 1 | 6A | 100 BPM | ||
| Brisas | Emanuela Dellana | D Major | 3 | 10B | 120 BPM |