Ivor Gurney, Roderick Williams, Susie Allan's 'Lights Out: No. 4, Lights Out' had a release date set for November 17, 2017. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 28 in Celebrating English Song by Roderick Williams, Susie Allan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lights Out: No. 4, Lights Out's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lights Out: No. 4, Lights Out by Ivor Gurney, Roderick Williams, Susie Allan is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | E♭ Major | 0 | 5B | 129 BPM | ||
| Rossini: Petite messe solennelle: VI. Qui tollis peccata mundi | Gioachino Rossini, Antonio Pappano, Daniele Rossi, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 1 | 3B | 89 BPM | ||
| Severn Meadows | Ivor Gurney, Kathryn Rudge, James Baillieu | D Major | 1 | 10B | 86 BPM | ||
| Love's Philosophy | Roger Quilter, Jodie Devos, Nicolas Krüger | F Major | 3 | 7B | 72 BPM | ||
| The Seven Deadly Sins: No. 3, Anger | Kurt Weill, Swedish Chamber Orchestra, H.K. Gruber, Mats Carlsson, Love Tronner, Lars Johansson Brissman, Andreas Olsson, Wallis Giunta | B♭ Major | 3 | 6B | 102 BPM | ||
| Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| 5 Preludes: No. 4 in F-Sharp Major | Ivor Gurney, George Rowley | D♭ Major | 0 | 3B | 88 BPM | ||
| Satie: 3 Mélodies de 1886: No. 2, Élégie | Erik Satie, Aldo Ciccolini, Mady Mesplé | C Minor | 0 | 5A | 86 BPM | ||
| Zingarelli: Salve Regina: V. O clemens, o pia | Niccolò Antonio Zingarelli, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra, NFM Choir | B♭ Major | 1 | 6B | 120 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| Radamisto, HWV 12: Ombra cara - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | D Minor | 1 | 7A | 71 BPM | ||
| Ha'nacker Mill | Ivor Gurney, Julius Drake, Paul Agnew | D♭ Minor | 0 | 12A | 82 BPM | ||
| Pêcheur de lune | Manuel Rosenthal, Julie Roset, Susan Manoff | E♭ Major | 0 | 5B | 129 BPM | ||
| Gilgamesh, Tablet 8: Grief | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| 5 Elizabethan Songs: V. Spring | Ivor Gurney, Julius Drake, Paul Agnew | E Major | 1 | 12B | 94 BPM | ||
| The Garden Path: No. 3, Withered Leaves | Alec Roth, Martha McLorinan, Sacconi Quartet | E♭ Major | 0 | 5B | 129 BPM | ||
| Liszt: 3 Sonetti di Petrarca, S. 270: III. "I' vidi in terra angelici costumi" | Franz Liszt, Diana Damrau/Helmut Deutsch | A♭ Major | 0 | 4B | 66 BPM | ||
| Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM | ||
| Ives: Wiegenlied | Charles Ives, Thomas Hampson, Armen Guzelimian | A♭ Major | 0 | 4B | 133 BPM | ||
| Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
| Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
| The First Child: When you find the right person | Donnacha Dennehy, Irish National Opera, Ryan McAdams, Niamh O'Sullivan | E♭ Major | 0 | 5B | 129 BPM | ||
| Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b | Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon | D Major | 0 | 10B | 85 BPM | ||
| V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM |