Paul Webb's ' "Tooth for a Tooth - Roadside Version" was released on its scheduled release date, December 20, 2024. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Tooth for a Tooth - Roadside Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Roadside Tales (Roadside Version)". In this album, this song's track order is #7. In terms of popularity, Tooth for a Tooth - Roadside Version is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Tooth for a Tooth - Roadside Version by Paul Webb having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rainbows | Matti Vuorinen | F♯ Minor | 6 | 11A | 87 BPM | ||
| Anywhere with You | Bamtone | F Major | 3 | 7B | 94 BPM | ||
| Forever Blue | Going Big | F♯ Minor | 7 | 11A | 110 BPM | ||
| Glad We've Almost Made It | SJ Hoffman | A Major | 6 | 11B | 133 BPM | ||
| Glow | Moura | C Major | 5 | 8B | 87 BPM | ||
| Thought It Over And I Think You Should Move On | Aistis | A♭ Major | 5 | 4B | 84 BPM | ||
| Name It | And They Spoke in Anthems | E♭ Minor | 2 | 2A | 144 BPM | ||
| Ruby, The Stage | Halfway | B Major | 4 | 1B | 170 BPM | ||
| Sunday Night School Blues | Pilgrims, Paul Noonan, Brian Crosby | G Major | 5 | 9B | 66 BPM | ||
| Lucy | GOODWIN | A Major | 2 | 11B | 112 BPM | ||
| Wherever We Are | Atlantic Machine | F♯ Minor | 6 | 11A | 74 BPM | ||
| Bad Accordion | Dillon Warnek | F Major | 3 | 7B | 135 BPM | ||
| Shitty Weather | Pilgrims, Paul Noonan, Brian Crosby | G Major | 5 | 9B | 66 BPM | ||
| Calluses | Grant Withington | G Major | 5 | 9B | 66 BPM | ||
| Don’t Look Away | Edward Fox & The Animal Kingdom | C Major | 6 | 8B | 90 BPM | ||
| Leading You This Way | Delaney Davidson | G Major | 4 | 9B | 179 BPM | ||
| Stay | Scarlet North | C Major | 9 | 8B | 176 BPM | ||
| Looking Good In Hand-Me-Downs | Bygone Dave | C Major | 7 | 8B | 123 BPM | ||
| Awoken | The Future Us | D♭ Major | 5 | 3B | 118 BPM | ||
| Sisyphus With Shorter Hair | Aistis | G Major | 4 | 9B | 140 BPM | ||
| Scenery | Oxsener | E Minor | 2 | 9A | 138 BPM | ||
| Antelope Running | Jesse Marchant | G Minor | 2 | 6A | 82 BPM | ||
| Painted Blue Nr. 1 | Pétur Ben | F Major | 4 | 7B | 92 BPM | ||
| Silver Rain | John P Bostock | E Major | 5 | 12B | 111 BPM | ||
| Sundown at Francis Nash | Pete Droge | F♯ Major | 7 | 2B | 135 BPM |