Reo Shuy's ' "Sasquatch" was released on its scheduled release date, January 1, 2026. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Sasquatch's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reo Shuy's "King Kurly's Redux" album is number 17 out of 17. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Sasquatch is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sasquatch by Reo Shuy to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crows (I'm Always Right Here for You) | Ronjo V | A Major | 4 | 11B | 147 BPM | ||
| Long Gone | Andy Thomas | D Major | 10 | 10B | 120 BPM | ||
| Haro Rock Distortion | Knightmare EchoAstro.realm | D♭ Major | 9 | 3B | 184 BPM | ||
| Ain't Coming Back No More | Laurence Jones | A Major | 9 | 11B | 182 BPM | ||
| The Joke | Reo Shuy | D Major | 5 | 10B | 85 BPM | ||
| Jet Set Woman | Brandon Tinkler | A Major | 6 | 11B | 139 BPM | ||
| Queen of the Board | The Damned and Dirty | A Major | 9 | 11B | 182 BPM | ||
| Highs & Lows | The Twin Souls | B♭ Minor | 9 | 3A | 97 BPM | ||
| Rollin Stoned | American Hustler | E Minor | 7 | 9A | 110 BPM | ||
| Peace With Me | Tom Harrison | G Major | 4 | 9B | 99 BPM | ||
| If Tomorrow Ever Comes | AJ Fullerton | D♭ Major | 7 | 3B | 145 BPM | ||
| Ashes to Ashes | Nevan Castañeda | A Major | 9 | 11B | 182 BPM | ||
| Spanish Fly (Radio Edit) | Skycall | A♭ Major | 6 | 4B | 184 BPM | ||
| Steal Away | Hamish Anderson | E Major | 7 | 12B | 173 BPM | ||
| Is It Right? | Fat Mezz | D♭ Major | 8 | 3B | 109 BPM | ||
| Checkout Girl | Blue Sky Monkeys | E Minor | 9 | 9A | 120 BPM | ||
| Long, Strange Trip | Eli Howard & The Greater Good | C Major | 4 | 8B | 132 BPM | ||
| Someone Else's Beat | Joe Boyle | E Major | 9 | 12B | 92 BPM | ||
| The Calming | Hidden Cabins | G Minor | 4 | 6A | 116 BPM | ||
| Clean Breaks | Zac Wilkerson | E♭ Major | 4 | 5B | 81 BPM | ||
| Back Door | The Queen's Giant | F Major | 7 | 7B | 88 BPM | ||
| Keep On Going | Clever Hopes | A Major | 9 | 11B | 182 BPM | ||
| Wise man | Fred & The Healers | E Minor | 8 | 9A | 126 BPM | ||
| Fairytale Blues | Jesse Creatchman | A Major | 8 | 11B | 115 BPM | ||
| Cypress Hotel (feat. Luther Dickinson) | Ben Sparaco, Luther Dickinson | B♭ Minor | 7 | 3A | 103 BPM |