Rob Moss Wilson, Cool Maritime's 'Thank Goodness' had a release date set for May 8, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 9 in Big Lunch by Rob Moss Wilson, Cool Maritime. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Thank Goodness's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thank Goodness by Rob Moss Wilson, Cool Maritime is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Piper | Lily Jimeth | E♭ Minor | 2 | 2A | 149 BPM | ||
| Reliable | Jude.Graciousness | E Minor | 1 | 9A | 97 BPM | ||
| Chapter V Memory Tastes Like Dust | GODIEAM | A♭ Major | 3 | 4B | 198 BPM | ||
| Eternity | WINTERZ | C Major | 1 | 8B | 109 BPM | ||
| Moment | 7FO | G Major | 3 | 9B | 142 BPM | ||
| 1970 Arp 2500 | Benge | D♭ Minor | 5 | 12A | 140 BPM | ||
| Cto Cian Or | Johan Piribauer | B♭ Major | 0 | 6B | 127 BPM | ||
| Jungle Morning | Spirit Ayahuasca | A Major | 5 | 11B | 97 BPM | ||
| Lapis Lazuli | Visible Cloaks, Yoshio Ojima, Satsuki Shibano | G Major | 1 | 9B | 73 BPM | ||
| Tension | Bernard Carlson | D♭ Major | 1 | 3B | 120 BPM | ||
| Forest of Dreams | Conard Sandpiper | F Major | 0 | 7B | 100 BPM | ||
| Typische Benadering | Hiele | F Minor | 2 | 4A | 105 BPM | ||
| Encouraging | rambohood20 | D♭ Major | 0 | 3B | 108 BPM | ||
| Beautiful noises disrupted by chaos | HEALING ME | B♭ Major | 8 | 6B | 172 BPM | ||
| Family Love Part 2 | kordz, Tamriko Kordzaia | E Major | 2 | 12B | 98 BPM | ||
| Chapter IX Between the Pulse | GODIEAM | E Major | 2 | 12B | 112 BPM | ||
| Halcyon | Orvex | C Major | 2 | 8B | 143 BPM | ||
| Phonometric Claus | Lip Stick | A Minor | 2 | 8A | 120 BPM | ||
| Blue Moons Over | Anushub | B♭ Minor | 1 | 3A | 137 BPM | ||
| Beacon | slowbomb | E Major | 2 | 12B | 98 BPM | ||
| Solace | Cut Through Noise | E Major | 2 | 12B | 98 BPM | ||
| Chapter VII I Forgot Why I'm Running | GODIEAM | F♯ Minor | 3 | 11A | 96 BPM | ||
| Hypnotize | B Marie 07 | C Major | 4 | 8B | 125 BPM | ||
| Midnight Carousel | Brivant | D♭ Minor | 1 | 12A | 142 BPM | ||
| Touch Me | Ciapo | E Major | 2 | 12B | 98 BPM |