Otto A. Totland's 'Oana' had a release date set for January 31, 2014. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Pinô". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Oana's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Oana by Otto A. Totland having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To the Order of Night | Balmorhea | F Major | 0 | 7B | 52 BPM | ||
| Floating / Sinking | Peter Broderick | A Minor | 1 | 8A | 89 BPM | ||
| What Have You Become? | Erik K Skodvin, Otto A. Totland | E♭ Minor | 1 | 2A | 89 BPM | ||
| As We Chase After The Wind | Alex Kozobolis | F♯ Major | 1 | 2B | 210 BPM | ||
| Flight From The City - Edit | Jóhann Jóhannsson, Yuki Numata Resnick, Tarn Travers, Ben Russell, Clarice Jensen | B♭ Major | 1 | 6B | 166 BPM | ||
| Rain on the Roof | Michael Emenau | D Minor | 0 | 7A | 53 BPM | ||
| We - Piano Version | Alaskan Tapes | D Minor | 0 | 7A | 98 BPM | ||
| Listen To The Wind | Wouter Dewit | D Minor | 2 | 7A | 145 BPM | ||
| Inside | Hyper Piano | C Minor | 1 | 5A | 130 BPM | ||
| Letters | Ólafur Arnalds | E Minor | 0 | 9A | 104 BPM | ||
| Splitscreen - A Love Story | Lennert Busch | A Minor | 0 | 8A | 140 BPM | ||
| Tula | Otto A. Totland | G Minor | 1 | 6A | 105 BPM | ||
| Piano Textures 4 III | Bruno Sanfilippo | C Minor | 0 | 5A | 76 BPM | ||
| Grace | Keith Kenniff | B♭ Minor | 1 | 3A | 128 BPM | ||
| Unverzagt | Alice Baldwin | E♭ Minor | 0 | 2A | 77 BPM | ||
| Fluvial | Rauelsson | C Major | 3 | 8B | 125 BPM | ||
| They Dream They'll Get There - From „Copenhagen Dreams” Soundtrack | Jóhann Jóhannsson | B Minor | 1 | 10A | 50 BPM | ||
| Dvale | Jacob David | B♭ Major | 2 | 6B | 122 BPM | ||
| Wait | Otto A. Totland | F Major | 0 | 7B | 140 BPM | ||
| Every Morning, Birds | Rachel Grimes | C Minor | 4 | 5A | 172 BPM | ||
| Take 1 - Patterns | Illuminine | A Major | 1 | 11B | 66 BPM | ||
| Loves Me, Loves Me Not, Loves Me | Chad Lawson | A Major | 0 | 11B | 116 BPM | ||
| The North Wind - Daigo Hanada Re-work | Jim Perkins, Daigo Hanada | F Minor | 1 | 4A | 169 BPM | ||
| Ljusterö | Klangriket | F Major | 0 | 7B | 48 BPM | ||
| please tell my mum to burn me | Alice Baldwin | C Major | 0 | 8B | 85 BPM |