John Berry's ' "What's In It For Me" was released on its scheduled release date, January 1, 1993. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Berry's "John Berry" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, What's In It For Me is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of What's In It For Me by John Berry to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Boom! It Was Over | Robert Ellis Orrall | G Major | 8 | 9B | 150 BPM | ||
| I Already Do | Chely Wright | C Major | 3 | 8B | 95 BPM | ||
| Come Next Monday | K.T. Oslin | A Major | 5 | 11B | 82 BPM | ||
| It's Ain't Easy Bein' Easy | Janie Fricke | E♭ Major | 5 | 5B | 173 BPM | ||
| No Mercy | Ty Herndon | B♭ Major | 6 | 6B | 188 BPM | ||
| My Blue Angel | Aaron Tippin | F Major | 5 | 7B | 110 BPM | ||
| Too Good to Be True | Michael Peterson | G Major | 7 | 9B | 172 BPM | ||
| She Wants To Be Wanted Again | Ty Herndon | E Major | 4 | 12B | 182 BPM | ||
| When the Bartender Cries | Michael Peterson | C Major | 4 | 8B | 74 BPM | ||
| Drink, Swear, Steal & Lie | Michael Peterson | B Major | 7 | 1B | 103 BPM | ||
| Those Hands | Rhett Akins | E Major | 4 | 12B | 169 BPM | ||
| They Don't Make Them Like That Anymore | Boy Howdy | A Major | 7 | 11B | 119 BPM | ||
| Two Teardrops | Steve Wariner | F Major | 4 | 7B | 121 BPM | ||
| Makin' up for Lost Time (with Crystal Gayle) | Gary Morris, Crystal Gayle | D♭ Major | 4 | 3B | 112 BPM | ||
| She Drew A Broken Heart | Patty Loveless | E Major | 8 | 12B | 122 BPM | ||
| You'll Never Know | Mindy McCready | D Major | 7 | 10B | 124 BPM | ||
| The Day That She Left Tulsa (In A Chevy) | Wade Hayes | A♭ Major | 4 | 4B | 68 BPM | ||
| Night Time Magic | Larry Gatlin & The Gatlin Brothers | A Major | 4 | 11B | 110 BPM | ||
| 'Til I Loved You | Restless Heart | B Major | 2 | 1B | 130 BPM | ||
| You've Got To Talk To Me | Lee Ann Womack | B Major | 8 | 1B | 111 BPM | ||
| Hangin' in and Hangin' On | David Ball | E Major | 7 | 12B | 117 BPM | ||
| Who's Lonely Now | Highway 101 | G Major | 4 | 9B | 178 BPM | ||
| She Can't Save Him | Lisa Brokop | C Major | 3 | 8B | 94 BPM | ||
| I'm Gonna Miss You After All | Sawyer Brown | E Major | 4 | 12B | 124 BPM | ||
| The Love Of A Man | David Kersh | F Major | 4 | 7B | 86 BPM |