"Where It All Began - The Apodytery" by 祖堅 正慶 had its release date on 1987. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 56 out of 181 in FINAL FANTASY XVI Original Soundtrack by 祖堅 正慶. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Where It All Began - The Apodytery is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Where It All Began - The Apodytery by 祖堅 正慶 is Lento (slowly), since this song has a tempo of 58 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| FFVII REMAKE: Ascension | 鈴木 克崇 | E Minor | 9 | 9A | 82 BPM | ||
| Dark Colossus - Kaiju | 帆足圭吾, 岡部啓一 | A♭ Major | 5 | 4B | 115 BPM | ||
| The Dalmasca Estersand (From "Final Fantasy XII") | Hitoshi Sakimoto | F♯ Minor | 5 | 11A | 149 BPM | ||
| Advanced Weaponry - FF7R Ver. | 島 翔太朗 | A Major | 9 | 11B | 78 BPM | ||
| FFVII REMAKE: Escaping the Sewers | 鈴木 克崇 | C Major | 6 | 8B | 89 BPM | ||
| A Contest of Aeons - FFX, FFRK Ver.arrange | 仲野順也 | D♭ Major | 8 | 3B | 96 BPM | ||
| Fury Sparks | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | B Minor | 10 | 10A | 155 BPM | ||
| Lovely, Dark, and Deep - The Greatwood | 祖堅 正慶 | G Minor | 8 | 6A | 80 BPM | ||
| 死闘の果てに - The Rift Ver. | 内山 修作 | F Minor | 4 | 4A | 77 BPM | ||
| Shout your soul | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | E Minor | 9 | 9A | 118 BPM | ||
| Master of Chaos II | Lee Jaekwang | B♭ Minor | 9 | 3A | 105 BPM | ||
| ”The Man with the Machine Gun” from FINAL FANTASY VIII - Arrangement | 石元丈晴 | F♯ Minor | 9 | 11A | 140 BPM | ||
| Piano: Imagination | Keiko | D♭ Major | 4 | 3B | 91 BPM | ||
| The Parting Sea | 今村 貴文 | D Major | 5 | 10B | 87 BPM | ||
| 「ノーマルバトル - arrange -」 from FINAL FANTASY Ⅹ | 河盛慶次 | D♭ Minor | 10 | 12A | 190 BPM | ||
| As Friend and Brother | Yasunori Mitsuda, 牧野忠義 | G Major | 3 | 9B | 126 BPM | ||
| Recovered light | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | F Major | 5 | 7B | 80 BPM | ||
| A United Front | Yasunori Mitsuda | C Major | 4 | 8B | 82 BPM | ||
| Ares | Yasunori Nishiki | B♭ Major | 9 | 6B | 82 BPM | ||
| Seliana, Ready for War | YUKO KOMIYAMA | B Minor | 8 | 10A | 144 BPM | ||
| Kyōchō (Ill Omen) | 岡部 啓一 | E Minor | 9 | 9A | 135 BPM | ||
| Vow and Promise | Stella Magna, Tsutomu Narita | A Minor | 1 | 8A | 163 BPM | ||
| The Nightmare Ends (Vincent Theme Imagined) | Jett Black | D Minor | 5 | 7A | 83 BPM | ||
| Face Off | 桜庭 統 | E Minor | 0 | 9A | 140 BPM | ||
| A Most Profaned Fragment | 祖堅 正慶 | D Minor | 8 | 7A | 132 BPM |