"Lord! I Have Sinned (Arr. Britten)" by Pelham Humfrey, Graham Johnson, Ian Bostridge had its release date on October 1, 1995. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Lord! I Have Sinned (Arr. Britten)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 27 in Britten: The Red Cockatoo & Other Songs by Benjamin Britten, Ian Bostridge, Graham Johnson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lord! I Have Sinned (Arr. Britten)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lord! I Have Sinned (Arr. Britten) by Pelham Humfrey, Graham Johnson, Ian Bostridge is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Major | 0 | 5B | 77 BPM | ||
| Lieux enchantés : petit jardin plein d'ombre (extrait de « henriette ») | René Morax, François Margot, Gustave Doret, André Charlet, Choeur Pro Arte de Lausanne | A Major | 3 | 11B | 104 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | B Major | 1 | 1B | 85 BPM | ||
| Gaudens Gaudebo | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | C Major | 0 | 8B | 78 BPM | ||
| Miserere mei Deus, C. 116: VI. Docebo iniquos vias tuas | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 2 | 3B | 107 BPM | ||
| The Willow Song | Pelham Humfrey, Folger Consort | D♭ Major | 1 | 3B | 83 BPM | ||
| Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | ||
| Orthodox Liturgy: III. Cherubic Song No. 4 | Dobri Hristov, SOFIA ORTHODOX CHOIR, Miroslav Popsavov | E♭ Major | 0 | 5B | 79 BPM | ||
| O Domine Jesu Christe | Jean Mouton, The Suspicious Cheese Lords | A Major | 1 | 11B | 72 BPM | ||
| Judas mercator pessimus, ITV 59: No. 1, Judas mercator pessimus osculo petiit Dominum | Tomás Luis de Victoria, Pro Musica, Szabó Dénes | G Minor | 1 | 6A | 76 BPM | ||
| Liturgy of the Presanctified Gifts, Op. 24: No. 8, Da ispravitsja molitva moja (Let my Prayer be Set Forth in thy Sight as Insense) | Pavel Chesnokov, Valaam Singing Culture Institute Men's Choir, Igor Ushakov | B Major | 1 | 1B | 134 BPM | ||
| MISA IN TE DOMINE SPERAVI: Kyrie | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| La Lluvia También Llora | Memoribio | E♭ Minor | 6 | 2A | 102 BPM | ||
| Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
| Lvovsky\'s Cherubic Hymn (English) | St. Innocent's Academy | G Major | 2 | 9B | 138 BPM | ||
| Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM | ||
| Where the Bee Sucks | Pelham Humfrey, Julie Hassler, La Rêveuse, Benjamin Perrot | A Major | 1 | 11B | 64 BPM | ||
| Thou, The Guide of Those Who Stray | The Choir of the Dormition Church of the Novodevichy Convent | B Major | 2 | 1B | 70 BPM | ||
| Creator alme siderum | Richard Burchard, Ars Veritas, Schola Cantorum, Jeremy D. Jones, Jakob Patriksson | E♭ Major | 2 | 5B | 127 BPM | ||
| A Hymn to God the Father ('Wilt Thou forgive that sin') | Pelham Humfrey, David Bates, La Nuova Musica, Tim Mead | E♭ Minor | 1 | 2A | 94 BPM | ||
| Orthodox Liturgy: I. In Thy Kingdom | Dobri Hristov, SOFIA ORTHODOX CHOIR, Miroslav Popsavov | A Major | 1 | 11B | 76 BPM | ||
| Hymn to God the Father (Arr. Britten for High Voice & Piano) | Pelham Humfrey, Ian Bostridge, Graham Johnson | G Minor | 1 | 6A | 169 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| Fons Clementiae | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Cantori Gregoriani, Gregorian Chants | B Major | 1 | 1B | 85 BPM | ||
| A Hymne to God the Father | Pelham Humfrey, Grace Davidson, Julian Perkins | B Major | 1 | 1B | 85 BPM |