Shilpi Mathur's ' "Ganga Tumhari Saanch Badai" was released on its scheduled release date, May 5, 1988. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Shilpi Mathur, Bhavana Lonkar, Hemant's "Ganga" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Ganga Tumhari Saanch Badai is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ganga Tumhari Saanch Badai by Shilpi Mathur to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Devi Viradrupa | Sri Ganapathy Sachchidananda Swamiji | G Major | 5 | 9B | 141 BPM | ||
| Babul Moraa | Kulwant Singh, Shilpi Mathur | D Minor | 2 | 7A | 177 BPM | ||
| Shyama Shyam Naam Roop | Jagadguru Shri Kripalu Ji Maharaj, Raseshwari Devi | D Major | 7 | 10B | 101 BPM | ||
| Devyaparadhkshamapan Stotra | Ashit Desai, Hema Desai | C Major | 5 | 8B | 82 BPM | ||
| Bhajan Kar Mani Ram | Madan Gopal | B♭ Minor | 7 | 3A | 128 BPM | ||
| Jai Ho Shrinathji | HDH Shri Vrajrajkumarji Mahodayshri, VYO, Vallabh Youth Organization | F♯ Minor | 7 | 11A | 126 BPM | ||
| Om Namo Bhagvate Vasudevaya | Jaya Kishori | E♭ Minor | 7 | 2A | 79 BPM | ||
| Jaykaar | Devaki Pandit | C Major | 5 | 8B | 97 BPM | ||
| Bhagobat Podey Pawa Jay Na | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Om Jai Jai Prathmesha | Shankar Narayan | C Major | 8 | 8B | 94 BPM | ||
| Bina Vighna Ke Kaaj Sanwaro | Shailendra Kumar | G Minor | 5 | 6A | 92 BPM | ||
| Shree Vyankatesh Stotra | Gayatri Dhareshwar | A Major | 3 | 11B | 117 BPM | ||
| Om Bhagwate Gajananaye | Ravindr Sathe | C Major | 9 | 8B | 94 BPM | ||
| Om Jai Saraswati Mata | Shilpi Mathur | D Major | 4 | 10B | 104 BPM | ||
| Aaya Hai Balaji Dar Dukhiyara | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | A Major | 5 | 11B | 142 BPM | ||
| Haridwar Mathura Kashi | Sanjayraj, Pramod Medhi | E Major | 5 | 12B | 110 BPM | ||
| Devi Kavacham | Debasish Chakraborty | D Minor | 3 | 7A | 183 BPM | ||
| Har Saans Meri | Chitra Roy | E♭ Minor | 2 | 2A | 107 BPM | ||
| Atharva Sheersham | Puttur Narasimha Nayak, Kalyana Raman, Chandan Nallal | B♭ Major | 8 | 6B | 146 BPM | ||
| Hare Krishna Vol 2 Part 2 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Kanudo Su Jane Mari Preet | Hari Bharwad | D♭ Major | 7 | 3B | 122 BPM | ||
| Aarti Hanuman Lala Ki - Viddhi Sharma | Vidhi Sharma | F♯ Major | 5 | 2B | 92 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Tujhi Aan Vahin Ga | Baba Maharaj Satarkar | E Minor | 8 | 9A | 100 BPM | ||
| Raja Mukut Pore | Srikanta Acharya | G Major | 5 | 9B | 182 BPM |