George Gordon's ' "Roommate Sex (MDS)" was released on its scheduled release date, October 9, 2018. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Your Good Friend by George Gordon. The song's track number on the album is #13 out of 19 tracks. Roommate Sex (MDS) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Roommate Sex (MDS) by George Gordon has a tempo of 56 beats per a minute, the tempo markings of this song would be Lento (slowly). With Roommate Sex (MDS) being at 56 BPM, the half-time would be 28 BPM with a double-time of 112 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani: "E di morte lo stral non sarà lento" (Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | F♯ Minor | 1 | 11A | 167 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 8, The mind bold and independent (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Clairières dans le ciel: No. 1, Elle était descendue au bas de la prairie | Lili Boulanger, Julie Roset, Susan Manoff | F♯ Minor | 1 | 11A | 167 BPM | ||
| Banalités, FP 107: II. Hôtel | Francis Poulenc, Claire Booth, Jâms Coleman | F♯ Minor | 1 | 11A | 167 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Chopin: 17 Songs, Op. 74: No. 9, Melodia | Frédéric Chopin, Teresa Żylis-Gara, Halina Czerny-Stefanska | F♯ Minor | 1 | 11A | 167 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | F♯ Minor | 1 | 11A | 167 BPM | ||
| La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Infirma nostri corporis | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 1 | 5B | 87 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| Gretchaninov: 5 Romances, Op. 1: No. 5, Lullaby | Alexander Gretchaninov, Oda Slobodskaya, Percy Kahn | E♭ Major | 0 | 5B | 67 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| Zemlinsky: Frühlingsbegräbnis: VII. Horch! Vom Hügel (Live) | Alexander von Zemlinsky, James Conlon, Chor des Städtischen Musikvereins zu Düsseldorf, Gürzenich Orchester Köln | E♭ Major | 1 | 5B | 74 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Halt! Hokuspokus, Hexenschuss!" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B♭ Major | 1 | 6B | 103 BPM | ||
| Puccini: Tosca, Act 2: "Tosca è un buon falco!" (Scarpia, Sciarrone) | Giacomo Puccini, Victor de Sabata, Dario Caselli, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | ||
| 3 Hymnen von Friedrich Hölderlin, Op. 71, TrV 240: No. 1, Hymne an die Liebe | Richard Strauss, Soile Isokoski, Helsinki Philharmonic Orchestra, Okko Kamu | C Major | 2 | 8B | 122 BPM | ||
| Simon Boccanegra / Act 1: (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 1 | 10B | 65 BPM | ||
| Tosca, Act I: Tre sbirri, una carrozza, presto – | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Mahler: Kindertotenlieder: No. 5, In diesem Wetter, in diesem Braus | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM | ||
| Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
| Salome, Op. 54 / Scene 4: "Siehe, der Tah ist nahe" | Richard Strauss, Leonie Rysanek, Horst Hiestermann, Uwe Peper, Ralf Lukas, Bryn Terfel, Friedrich Molsberger, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E Major | 1 | 12B | 132 BPM | ||
| Grant’s Story (Doug) | George Gordon | F♯ Major | 4 | 2B | 107 BPM |