Juliet Turner's ' "Take the Money and Run" was released on its scheduled release date, June 1, 2000. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in Burn the Black Suit by Juliet Turner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Take the Money and Run is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Take the Money and Run by Juliet Turner is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blackbird | Sharon Shannon | D Major | 4 | 10B | 80 BPM | ||
| All Will Be Well | Michael Marra | C Major | 4 | 8B | 107 BPM | ||
| Edward On Loch Erne's Shore | Lumiere | E Major | 1 | 12B | 94 BPM | ||
| Passenger | Lisa Hannigan | G Major | 4 | 9B | 135 BPM | ||
| Gorgeous and Bright | Eleanor Shanley | D Major | 4 | 10B | 135 BPM | ||
| Beautiful Affair | Stockton's Wing | G Major | 7 | 9B | 81 BPM | ||
| Invisible to You | Mary Coughlan | A Major | 2 | 11B | 133 BPM | ||
| After the Ball | Frances Black | D Major | 1 | 10B | 83 BPM | ||
| Silver Dagger | Ebony Buckle, Bobby Eccles, John Steele, Philip Granell, Cormac Byrne | G Minor | 1 | 6A | 106 BPM | ||
| Bend Down Low | Paddy Casey | G Major | 5 | 9B | 143 BPM | ||
| Take Me Out Drinking | Iona Fyfe | C Major | 3 | 8B | 110 BPM | ||
| The Whole of the Moon | Karine Polwart | A Minor | 3 | 8A | 173 BPM | ||
| No Cover Up | Duke Special | E Major | 2 | 12B | 76 BPM | ||
| I Wish I Never Saw the Sunshine | Beth Orton, Victor Van Vught, Andrew Weatherall | D Major | 2 | 10B | 180 BPM | ||
| Bury Me Naked | Merry Hell | A Major | 5 | 11B | 161 BPM | ||
| Sound of the Underground | The 4 Of Us | D♭ Minor | 3 | 12A | 150 BPM | ||
| Over You | Roddy Frame | G Major | 3 | 9B | 131 BPM | ||
| The Only One For Me | John Spillane | G Major | 5 | 9B | 111 BPM | ||
| Star Star | Pure Imagination | The Frames, Glen Hansard | E Major | 2 | 12B | 75 BPM | ||
| Cover from the Sky | Deacon Blue | D Major | 3 | 10B | 174 BPM | ||
| Siúil a Rúin | Roisin El Cherif, Fergal Scahill, Ruth Smith | D Minor | 1 | 7A | 173 BPM | ||
| Gold | Interference, Fergus O'Farrell | E Major | 2 | 12B | 182 BPM | ||
| Making Sand | Padraig Jack, Nicki Leighton-Thomas | C Major | 7 | 8B | 180 BPM | ||
| The Testimony Of Patience Kershaw | The Unthanks | A Major | 3 | 11B | 128 BPM | ||
| Everyday | The Saw Doctors | E Major | 4 | 12B | 109 BPM |