"Sat Daddy" by Paul Leonard-Morgan had its release date on February 28, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Paul Leonard-Morgan's "Last Breath (Original Motion Picture Soundtrack)" album is number 3 out of 22. Sat Daddy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sat Daddy by Paul Leonard-Morgan to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hall Of Eagans | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| The Planter's Trace | Metal Scar Radio, Hybrid | D Major | 5 | 10B | 160 BPM | ||
| Rubber Head | Cliff Martinez | E Major | 1 | 12B | 67 BPM | ||
| Are You a Robot | Philip Glass, Paul Leonard-Morgan | E Major | 0 | 12B | 153 BPM | ||
| Blade Runner | Hans Zimmer, Benjamin Wallfisch | C Major | 3 | 8B | 109 BPM | ||
| Possibilities Are Endless | Atticus Ross, Leopold Ross, Claudia Sarne | F Major | 2 | 7B | 68 BPM | ||
| Unsee | Atli Örvarsson | A♭ Major | 4 | 4B | 80 BPM | ||
| Let There Be Light | Max Richter | G Minor | 2 | 6A | 80 BPM | ||
| Stealing The Code | Ben Salisbury, Geoff Barrow | D Major | 2 | 10B | 75 BPM | ||
| Approaching the Shimmer | Ben Salisbury, Geoff Barrow | G Minor | 0 | 6A | 64 BPM | ||
| Singapore Ambient (Part 2) | Michael McCann | B♭ Minor | 3 | 3A | 86 BPM | ||
| Hexadecimals | Harry Gregson-Williams | E Minor | 2 | 9A | 120 BPM | ||
| Dr. Fletcher and the World | West Dylan Thordson | B♭ Major | 1 | 6B | 75 BPM | ||
| TURNSTILE - BONUS TRACK | Ludwig Göransson | D♭ Major | 6 | 3B | 130 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| RED ROOM BLUE ROOM | Ludwig Göransson | B Major | 2 | 1B | 65 BPM | ||
| Kmc014 | Lovett | B Major | 4 | 1B | 96 BPM | ||
| Hubris | Brunon Lubas | B Minor | 5 | 10A | 180 BPM | ||
| Siren | Jack Bartman | F Major | 3 | 7B | 89 BPM | ||
| A Trip to the Moon | Max Richter | G Major | 1 | 9B | 133 BPM | ||
| Lost Signal | Guillaume David | F Major | 6 | 7B | 87 BPM | ||
| Rite Of Passage | P.T. Adamczyk | D Major | 4 | 10B | 81 BPM | ||
| SILO Main Title | Atli Örvarsson | F Minor | 4 | 4A | 102 BPM | ||
| Slot Canyon | Trevor Gureckis | F♯ Major | 3 | 2B | 74 BPM | ||
| The Anthill | Federico Bisozzi, Tomat | F Major | 0 | 7B | 64 BPM |