"...Shells" by Thomas Newman had its release date on June 17, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 25 out of 34 in Finding Dory (Original Motion Picture Soundtrack) by Thomas Newman. ...Shells is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ...Shells by Thomas Newman is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Any Other Name | Thomas Newman | G Minor | 0 | 6A | 78 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| I Was Not Brave | Harald Kloser, Thomas Wander | G Minor | 1 | 6A | 55 BPM | ||
| Dreams | Pinar Toprak | D Major | 3 | 10B | 134 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| Little Secrets / Power of the Sun | John Ottman | A Minor | 1 | 8A | 87 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| Bisceglia: Concerto for Trumpet and Orchestra: in None: II. Largo con alcun animato | Michelino Bisceglia, Benny Wiame, Hungarian Studio Orchestra | G Major | 1 | 9B | 111 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Haiku | Thomas Newman | F♯ Major | 1 | 2B | 80 BPM | ||
| First Class | Henry Jackman | B♭ Major | 5 | 6B | 113 BPM | ||
| The Crab | Johan Söderqvist, Hans Ek, Philharmonia Orchestra | G Major | 0 | 9B | 68 BPM | ||
| To Run Or Not To Run | Carter Burwell | G Major | 0 | 9B | 137 BPM | ||
| The Ascanius | Thomas Newman | G Minor | 2 | 6A | 97 BPM | ||
| Over The Pines | Ben Sollee, Time For Three | D Major | 2 | 10B | 118 BPM | ||
| Epilogue | Dario Marianelli | E Minor | 1 | 9A | 100 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| Notification | Pinar Toprak | D♭ Major | 6 | 3B | 125 BPM | ||
| New Queen | Martin Phipps | B♭ Major | 1 | 6B | 169 BPM | ||
| Slytherin Common Room | J Scott Rakozy, Hogwarts Legacy | E♭ Major | 2 | 5B | 115 BPM | ||
| The Jungle Book Closes | John Debney | F Major | 1 | 7B | 66 BPM | ||
| Walk Through Darkness | Alex Wurman | E♭ Major | 1 | 5B | 65 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM |