Guido Mazzon's 'Double #3' had a release date set for December 14, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 30 in Double by Andrea Centazzo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Double #3 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Double #3 by Guido Mazzon is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suzu No Uta | 鈴木 弘, 富樫雅彦 | F♯ Major | 8 | 2B | 84 BPM | ||
| Relax, ma non troppo | Renato Geremia, Guido Mazzon, Tony Rusconi | G Minor | 2 | 6A | 141 BPM | ||
| Inside the Acorn | Maisha | D♭ Major | 4 | 3B | 91 BPM | ||
| (In My) Solitude | Marc Benham | F Major | 6 | 7B | 70 BPM | ||
| Don't Let It Happen Here | Mingus Big Band | B♭ Major | 1 | 6B | 141 BPM | ||
| Venus | John Coltrane | B♭ Minor | 7 | 3A | 97 BPM | ||
| Kinshasa October 30th 1974 | Gaetano Liguori, Andrew Cyrille, Guido Mazzon | G Major | 4 | 9B | 112 BPM | ||
| Puszcza | Tomasz Stańko | E Minor | 5 | 9A | 102 BPM | ||
| Coffee and Doe-Nuts | Vince Guaraldi | E Minor | 5 | 9A | 78 BPM | ||
| Strutto n. 7 | Precarious Orchestra (Marc Charig, Renato Geremia, Radu Malfatti, Bruno Marini, Guido Mazzon, Mauro Periotto & Tony Rusconi) | E Major | 3 | 12B | 81 BPM | ||
| Cycle In Mourning | Kalia Vandever | G Minor | 2 | 6A | 119 BPM | ||
| Concierto De Aranjuez, Pt. 2 (Adagio) - Alternate Take | Miles Davis, Gil Evans | A Minor | 1 | 8A | 88 BPM | ||
| Movement 4 | Floating Points, Pharoah Sanders, London Symphony Orchestra | C Minor | 1 | 5A | 69 BPM | ||
| Humility In The Light Of Creator | Maurice McIntyre | A♭ Major | 4 | 4B | 96 BPM | ||
| 1/2 SCULPTURE | Sam Gendel, Ethan Braun | F Minor | 0 | 4A | 173 BPM | ||
| Egyptian Suite / Part 2: Triangulation of Light | Chicago Underground Duo | D♭ Major | 3 | 3B | 129 BPM | ||
| Prancing | Collin Walcott | F Major | 6 | 7B | 70 BPM | ||
| Autumn (Part 1) | Francesco Branciamore, Michel Godard, Paul Rutherford, Guido Mazzon | D Major | 4 | 10B | 121 BPM | ||
| Soft Fall | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| Prologo (Collettivo e solo percussioni) | Precarious Orchestra (Marc Charig, Renato Geremia, Radu Malfatti, Bruno Marini, Guido Mazzon, Mauro Periotto & Tony Rusconi) | D♭ Minor | 10 | 12A | 175 BPM | ||
| About Ghosts | Mary Halvorson | G Major | 5 | 9B | 131 BPM | ||
| Voices | Guido Mazzon | G Minor | 4 | 6A | 95 BPM | ||
| 早 | 万能青年旅店 | D Major | 2 | 10B | 57 BPM | ||
| Get Ready | Antonio Sánchez | E Minor | 2 | 9A | 73 BPM | ||
| Winnowing Two | Jakob Bro, Wadada Leo Smith, Marcus Gilmore | F♯ Major | 4 | 2B | 60 BPM |