Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit's ' "Concerto grosso in F Major Op. 6, No. 6: III. Largo" was released on its scheduled release date, June 20, 2025. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Concerto grosso in F Major Op. 6, No. 6: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 28 in Corelli: Concerti grossi Op. 6, 1-6 by Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki, Georg Kallweit. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto grosso in F Major Op. 6, No. 6: III. Largo is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto grosso in F Major Op. 6, No. 6: III. Largo by Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite a fur Blockflote, Streicher und Generalbass: Ouverture | Georg Philipp Telemann, Kolner Kammerorchester, Helmut Müller-Brühl | A Minor | 2 | 8A | 92 BPM | ||
| Flute Concerto No. 3 in C: 3. Allegro assai | Frederick the Great, Patrick Gallois, Carl Philipp Emanuel Bach Chamber Orchestra, Peter Schreier | C Major | 1 | 8B | 130 BPM | ||
| In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM | ||
| Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 102 BPM | ||
| Flute Concerto No. 2 in G Major: III. Allegro assai | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Minor | 1 | 7A | 168 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Overture No. 6 in G Minor: I. Allegro | Francesco Maria Veracini, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 94 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Oboe Concerto in D minor S.Z799: 2. Adagio | Alessandro Marcello, Clare Shanks, Academy of Ancient Music, Christopher Hogwood | A♭ Minor | 5 | 1A | 117 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Sonata in A Major, No. 6: V. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 2 | 4B | 71 BPM | ||
| Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 88 BPM | ||
| Oboe Concerto in D: 1. Allegro | Giovanni Battista Sammartini, Heinz Holliger, I Musici | A Major | 2 | 11B | 128 BPM | ||
| Concerto a cinque No. 6, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 112 BPM | ||
| Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
| Cello Concerto in D Major, G. 479: III. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | E Minor | 1 | 9A | 96 BPM | ||
| Ouverture a 7 concertanti in F Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Aria: Aria | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 1 | 1A | 78 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
| Sonate da Chiesa a tre, Op. 3 No. 6 in G Major: I. Vivace | Arcangelo Corelli, Purcell Quartet, Catherine Mackintosh, Elizabeth Wallfisch, Richard Boothby, Robert Woolley, Jakob Lindberg | F Major | 1 | 7B | 136 BPM | ||
| Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
| Naïs - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Major | 5 | 1B | 125 BPM | ||
| Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
| Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM |