Lea Porcelain's 'Till The End' had a release date set for August 9, 2019. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The track order of this song in Lea Porcelain's "Love Is Not An Empire EP" album is number 5 out of 5. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Till The End is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Till The End by Lea Porcelain to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cave Vaults On The Moon In New Mexico | Tan Cologne | A♭ Minor | 4 | 1A | 135 BPM | ||
| Beneath the Black Sea | LNZNDRF | B♭ Major | 9 | 6B | 166 BPM | ||
| Feedback Song | Saint Jude, Low Loudly | E Major | 5 | 12B | 135 BPM | ||
| Pre-Code Hollywood | Jonathan Bree, Nile Rodgers | G Minor | 7 | 6A | 94 BPM | ||
| Clock | Catastrophe & Cure | D♭ Major | 9 | 3B | 104 BPM | ||
| Cover Your Eyes | Jonathan Bree | G Minor | 9 | 6A | 125 BPM | ||
| Clock Of Time | Lea Porcelain | G Major | 5 | 9B | 120 BPM | ||
| Out of Place | GusGus | D♭ Major | 10 | 3B | 128 BPM | ||
| Come to Me Now | Kevin Morby | G Major | 5 | 9B | 112 BPM | ||
| A Reason To Celebrate | bdrmm | A Major | 3 | 11B | 76 BPM | ||
| Bathrooms | Wy | B♭ Major | 5 | 6B | 100 BPM | ||
| MSQ No-Extra | Black Marble | F♯ Major | 6 | 2B | 167 BPM | ||
| Barefoot | Pumarosa | F♯ Minor | 6 | 11A | 131 BPM | ||
| I'll Come Running | Paul Thomas Saunders | D Major | 3 | 10B | 86 BPM | ||
| Boys Choir | Saint Jude | E♭ Major | 6 | 5B | 111 BPM | ||
| Destroyer | TR/ST | C Major | 5 | 8B | 140 BPM | ||
| Romance | Ex:Re | A Major | 6 | 11B | 121 BPM | ||
| Still There | Holygram | C Major | 8 | 8B | 161 BPM | ||
| De Facto | HighSchool | F Major | 8 | 7B | 140 BPM | ||
| Until We're Done | Jonathan Bree | D Major | 9 | 10B | 131 BPM | ||
| Cut Grass | Arya Zappa | A Minor | 9 | 8A | 174 BPM | ||
| Come to the Fore - C Duncan Remix | Fellini Félin, C Duncan | D♭ Major | 5 | 3B | 115 BPM | ||
| Love Crimes | Hayden Thorpe | E Major | 4 | 12B | 130 BPM | ||
| Gouge Away | REEPERBAHN FESTIVAL COLLIDE, Nation of Language | E Minor | 9 | 9A | 120 BPM | ||
| Bennington | John Maus | C Minor | 4 | 5A | 135 BPM |