- BPM
- 79
- Key
- G Major
- Camelot
- 9B
Making Faces by Johnny Green, MGM Studio Orchestra Song Details
Johnny Green, MGM Studio Orchestra's ' "Making Faces" was released on its scheduled release date, July 8, 1948. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Irving Berlin's Easter Parade (Original Motion Picture Soundtrack)" album is number 8 out of 31. On top of that, United States appears to be the country where this track was created. Making Faces is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
We consider the tempo marking of Making Faces by Johnny Green, MGM Studio Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -19.585 dB
- Acousticness
- 98%
- Danceability
- 22%
- Energy
- 16%
- Instrumentalness
- 94%
- Liveness
- 25%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 46%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | So Long, Farewell | Charmian Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Kym Karath, Heather Menzies, Debbie Turner | B♭ Major | 2 | 6B | 120 BPM | |
 | At The End Of The Day | "Les Misérables Original London Cast" Ensemble | F Minor | 4 | 4A | 63 BPM | |
 | Chitty Chitty Bang Bang: Overture | Richard M. Sherman, Robert B. Sherman, Chitty Chitty Bang Bang Orchestra, Original Broadway Cast of Chitty Chitty Bang Bang, Robert Scott | F Major | 3 | 7B | 98 BPM | |
 | Broadway Melody Ballet | Gene Kelly, The MGM Studio Orchestra & The MGM Studio Chorus | E♭ Major | 4 | 5B | 90 BPM | |
 | Why Can't You Behave? | Broadway Cast Recording | D♭ Major | 2 | 3B | 75 BPM | |
 | Sweet Charity: Overture | Cy Coleman, Sweet Charity Orchestra, Fred Werner, Sweet Charity Original Broadway Cast | F Major | 5 | 7B | 139 BPM | |
 | Maria | Matt Cavenaugh, New Broadway Cast of West Side Story (2009) | E♭ Major | 1 | 5B | 89 BPM | |
 | The Farmer And The Cowman Ballet | Original 1955 Oklahoma! Studio Orchestra, Darcy M. Proper | G Major | 8 | 9B | 128 BPM | |
 | Honey Bun | Nellie Forbush | B♭ Major | 2 | 6B | 177 BPM | |
| Too Darn Hot | Broadway Cast Recording | D♭ Major | 2 | 3B | 82 BPM | |
 | Body And Soul - Binaural Mix | Johnny Green, Edward Heyman, Robert Sour, Oscar Peterson, Zenph Studios | B♭ Minor | 1 | 3A | 95 BPM | |
 | Fidgety Feet | Robert Fairchild | D Major | 4 | 10B | 112 BPM | |
 | The Rumor | Paul Lipson, Beatrice Arthur, Leonard Frey, Fiddler on the Roof Ensemble | F Major | 2 | 7B | 148 BPM | |
 | West Side Story: Act II: A Boy Like That - I Have A Love | Leonard Bernstein, Natalie Wood, Johnny Green, Betty Wand, Marni Nixon, West Side Story Orchestra, Jim Bryant, Tucker Smith, Joanne Miya, Russ Tamblyn, Rita Moreno, Yvonne Othon, George Chakiris, Suzie Kaye, Richard Beymer | D Major | 2 | 10B | 87 BPM | |
 | Overture/And All That Jazz | Catherine Zeta-Jones, Renée Zellweger, Taye Diggs | D♭ Minor | 6 | 12A | 120 BPM | |
| Anatevka | Paul Lipson, Zero Mostel, Beatrice Arthur, Michael Granger, Leonard Frey, Maria Karnilova, Fiddler on the Roof Orchestra | G Major | 1 | 9B | 98 BPM | |
 | Step In Time | The Cast of Mary Poppins | B♭ Minor | 6 | 3A | 77 BPM | |
| West Side Story: Act I: Gee, Officer Krupke | Leonard Bernstein, Russ Tamblyn, West Side Story Ensemble (Original Motion Picture Soundtrack), Johnny Green, West Side Story Orchestra | D♭ Major | 4 | 3B | 146 BPM | |
 | Send in the Clowns (Act Two) | Catherine Zeta-Jones, Alexander Hanson | D♭ Major | 1 | 3B | 171 BPM | |
 | Cell Block Tango | Michael Berresse, Bebe Neuwirth | D♭ Major | 3 | 3B | 136 BPM | |
 | Epilogue: In Every Age (Reprise) / Finale | Maury Yeston, Titanic Original Broadway Cast and Ensemble, Original Broadway Cast of Titanic: The Musical, Kevin Stites | C Major | 1 | 8B | 97 BPM | |
 | Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | |
 | Sunny Side to Every Situation | Karen Prunczik, 42nd Street Ensemble | E♭ Major | 1 | 5B | 139 BPM | |
| You're Getting to Be a Habit with Me | Tammy Grimes, Lee Roy Reams, Wanda Richert, 42nd Street Ensemble | A♭ Minor | 1 | 1A | 67 BPM | |
 | Lida Rose, Will I Ever Tell You (feat. Shirley Jones) | The Buffalo Bills, Shirley Jones | G Major | 3 | 9B | 110 BPM |
- ISRC
- USNLR1701116
- Label
- L-M Records/RCA Records