Ramdas Gondaliya's ' "Bhulo Re Padyo" was released on its scheduled release date, April 9, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Bhulo Re Padyo and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Bhulo Re Padyo is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bhulo Re Padyo by Ramdas Gondaliya is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sare Jagat Me Nyara Hai Tajuddin Auliya | Rais Anis Sabri | F♯ Major | 7 | 2B | 104 BPM | ||
| Mane Jino Jino Naad Sambhdaay | Balvi Studio, Ramdas Gondaliya | A♭ Minor | 10 | 1A | 155 BPM | ||
| Aao Khele Sajan Sang Hori | Hita Ambrish | B Minor | 8 | 10A | 80 BPM | ||
| Aai Liral Na Charane | Ramdas Gondaliya | D Major | 10 | 10B | 140 BPM | ||
| Shiv Shankar Sukhkari | Ramdas Gondaliya, Yogeshpuri Goswami | G Minor | 9 | 6A | 90 BPM | ||
| Mai Toh Purabiyo Purab Desh Ro | Sant Bhajana Nand | A♭ Major | 8 | 4B | 94 BPM | ||
| Vitthal Vitthal Vitthala | Hita Ambrish | B Major | 7 | 1B | 145 BPM | ||
| Do Deewane Pyar Ke | Dinesh Nagar | D♭ Minor | 6 | 12A | 82 BPM | ||
| Ye Chamak Ye Dhamak | Sadho Band | F♯ Major | 8 | 2B | 104 BPM | ||
| Vachan Sambhaline Vela Aavjo | Ramdas Gondaliya | E♭ Minor | 8 | 2A | 107 BPM | ||
| Kya Batau Jamane Ki Halat | Brijesh Shastri | D♭ Major | 5 | 3B | 103 BPM | ||
| Shiv Bhole Bhandari Sharan Hum Aaye Tihari | Mukul Dwivedi | E Minor | 9 | 9A | 162 BPM | ||
| Ram Ram Bol Krishna Krishna Bol | Hita Ambrish | B Major | 7 | 1B | 145 BPM | ||
| Mera Aap ke Kripa Se Sab Kam Ho Raha Hai | jhukur singh | G Major | 5 | 9B | 100 BPM | ||
| Mehandipur Ke Dham Chalenge | Narender Kaushik | F♯ Major | 8 | 2B | 137 BPM | ||
| Jai Ho Haridwar Mein Bum Bum | Ram Kumar Lakkha | B Major | 8 | 1B | 100 BPM | ||
| Ye Ho Maha mai | Yuvraj Pandey | C Minor | 6 | 5A | 92 BPM | ||
| Mein To Teri Ho Gai Shyam Duniya Kya Janein | Nikunj Kamra | B Major | 8 | 1B | 140 BPM | ||
| Bhakti Re Karvi Aene Rank | Damyanti Bardai | B♭ Minor | 8 | 3A | 118 BPM | ||
| Vage Bhadaka Bhari Bhajan Na | Ramdas Gondaliya | A♭ Major | 8 | 4B | 80 BPM | ||
| Ajab Andaaz Se Kuch | Ali Waris Warsi | D♭ Major | 9 | 3B | 143 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Aesa Kya Kaam Kiya | Kunj Bihari Das | F♯ Major | 5 | 2B | 84 BPM | ||
| Prabisi Nagar Kije Sab Kaja | Pankaj Mishra | B♭ Minor | 6 | 3A | 158 BPM | ||
| Sankat Mochan Naam Tiharo ( Hanuman Ashtak ) | Pankaj Mishra, Ravi Raj | E Major | 5 | 12B | 85 BPM |