André Tchaikowsky, Peter Jablonski, Polish National Radio Symphony Orchestra, Łukasz Borowicz's ' "Piano Concerto No. 2, Op. 4: I. Introduction" was released on its scheduled release date, November 7, 2025. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Piano Concerto No. 2, Op. 4: I. Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Tchaikowsky: Piano Concertos Nos. 1 & 2 & Piano Sonata". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Finland. In terms of popularity, Piano Concerto No. 2, Op. 4: I. Introduction is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Piano Concerto No. 2, Op. 4: I. Introduction by André Tchaikowsky, Peter Jablonski, Polish National Radio Symphony Orchestra, Łukasz Borowicz having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Sonata No. 1 in F Minor, Op. 6: I. Allegro con fuoco | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | ||
| Intermezzos, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Garrick Ohlsson | A♭ Major | 0 | 4B | 138 BPM | ||
| 2 Sonatinas for Piano, Op. 1 No. 2: III. Allegro | Georgijs Osokins, Arvo Pärt | F♯ Minor | 3 | 11A | 125 BPM | ||
| Etudes symphoniques, Op. 13: Anhang Variation 4 | Robert Schumann, Martin Helmchen | C Major | 0 | 8B | 65 BPM | ||
| 12 Nocturnes: No. 5, In den Morgen tanzen | Bent Sørensen, Katrine Gislinge | A Major | 1 | 11B | 90 BPM | ||
| Piano Sonata: I. Non troppo presto | André Tchaikowsky, Peter Jablonski | G Major | 3 | 9B | 95 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
| 5 Morceaux de fantaisie, Op. 3: No. 3, Mélodie (2) | Sergei Rachmaninoff, Boris Giltburg | A Major | 1 | 11B | 90 BPM | ||
| Valses nobles et sentimentales, M.61: 7. Moins vif | Maurice Ravel, Gordon Fergus-Thompson | A Major | 1 | 11B | 105 BPM | ||
| 24 Préludes, Op. 28 (Excerpt): No. 4 in E Minor | Frédéric Chopin, André Tchaikowsky | B Major | 1 | 1B | 79 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Ciudadano Sombra: III. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | D Major | 1 | 10B | 129 BPM | ||
| String Quartet No. 5, H. 268: I. Allegro ma non troppo | Bohuslav Martinů, Pavel Haas Quartet | F Major | 2 | 7B | 103 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | A Major | 1 | 11B | 90 BPM | ||
| Rondo for Cello and Orchestra in G Minor, Op. 94 | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | A Major | 1 | 11B | 90 BPM | ||
| Quatre Morceaux, Op. 56 | Alexander Scriabin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 68 BPM | ||
| Variations on a Theme by Robert Schumann, Op. 9: Var. 16, Adagio | Johannes Brahms, Mari Kodama | F♯ Major | 0 | 2B | 69 BPM | ||
| Scriabin: 3 Pieces, Op. 49: No. 3, Rêverie | Alexander Scriabin, Mikhail Pletnev | C Major | 0 | 8B | 77 BPM | ||
| Ma Mère, L'oye (Piano 4 Hands): 4. Les Entretiens De La Belle Et La Bête - Duo-Art 7189 | Maurice Ravel, Walter Damrosch, Polly Damrosch, Peter Phillips | A Major | 1 | 11B | 90 BPM | ||
| Klavierstück in C Major - 1 | Anton Webern, Jean-Jacques Dünki | A Minor | 0 | 8A | 70 BPM | ||
| Mazurkas, Op. 59 (Excerpt): No. 2 in A-Flat Major | Frédéric Chopin, André Tchaikowsky | C Major | 2 | 8B | 130 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: III. Allegro molto | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Cançons i danses: VIII. Moderato cantabile con sentimento | Federico Mompou, Caspar Vos | G Major | 0 | 9B | 66 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: II. Scherzo. Allegro molto | Erich Wolfgang Korngold, Calidore String Quartet | A Major | 1 | 11B | 90 BPM | ||
| 4 Etudes de rythme: Ile de feu I (Isle of Fire I) | Olivier Messiaen, Håkon Austbø | E Major | 2 | 12B | 120 BPM |