Gora Chak Wala, Sudesh Kumari's ' "Akhan Poojhanda" was released on its scheduled release date, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Tour". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Akhan Poojhanda's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Akhan Poojhanda by Gora Chak Wala, Sudesh Kumari having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hoke Tu Tyar Sohniye | Harjit Sidhu | B♭ Minor | 9 | 3A | 97 BPM | ||
| Telephone | Anmol Virk | B Minor | 8 | 10A | 130 BPM | ||
| Sharab | Debi Makhsoospuri, Prince Ghuman | F Minor | 5 | 4A | 80 BPM | ||
| Rull Gaye Parande Doriya | Veer Dawinder | B♭ Major | 7 | 6B | 132 BPM | ||
| Tuttiyan Tadak Karke | Dharampreet, Sudesh Kumari | D♭ Minor | 6 | 12A | 78 BPM | ||
| Na Laavin | Maninder Manga, Sudesh Kumari | B Major | 9 | 1B | 120 BPM | ||
| Nashili Akh | Amar Arshi, Sudesh Kumari | B♭ Minor | 9 | 3A | 172 BPM | ||
| Viah Karva Baithi | Didar Sandhu, Amar Noorie | F♯ Major | 8 | 2B | 113 BPM | ||
| Deeva Gull | Lovely Nirman, Sudesh Kumari | F♯ Major | 9 | 2B | 135 BPM | ||
| Daaru Naal Rajjeya Rehnae | Amrik Toofan, Harjit Matoo | D♭ Major | 6 | 3B | 102 BPM | ||
| Chubare | Maninder Manga | A Major | 9 | 11B | 95 BPM | ||
| Majboor | Anmol Virk | A♭ Minor | 9 | 1A | 112 BPM | ||
| Je Tuttgi Ta Tuttgi | Anmol Virk | C Major | 9 | 8B | 160 BPM | ||
| Dukh Ta Bathere Jogiya | Sonu Saini | D♭ Major | 9 | 3B | 172 BPM | ||
| Bullet | Lovely Nirman, Sudesh Kumari | E Major | 8 | 12B | 83 BPM | ||
| Maaf Kari | Lovely Nirman, Sudesh Kumari | A♭ Minor | 6 | 1A | 78 BPM | ||
| Chhad Ke Najavin | Amrita Virk | C Minor | 6 | 5A | 81 BPM | ||
| Mittran Di Moter | Happy Lapran, Anmol Virk | A♭ Major | 9 | 4B | 104 BPM | ||
| Aseen Oh Nahi Jo Samajh Laye | Harjit Singh Harman | B Minor | 8 | 10A | 85 BPM | ||
| Pyar Karan Noo | Amar Arshi, Sudesh Kumari, Narender Jyot | F♯ Major | 6 | 2B | 172 BPM | ||
| Kahnu Aina Yaad Oundi A | Durga Rangila | F♯ Major | 8 | 2B | 80 BPM | ||
| Bulliyan Terian | Inderjit Nikku | E Minor | 9 | 9A | 186 BPM | ||
| Telephone Te Na Roiya Kar | Anmol Virk | G Major | 10 | 9B | 93 BPM | ||
| Nikki Hundi Teil Maldi | Amrik Toofan, Harjeet Mattu | D♭ Minor | 8 | 12A | 180 BPM | ||
| Sanu Je Ruwa Ke Tu Khushi | Gora Chak Wala | A♭ Major | 7 | 4B | 144 BPM |