The Best Is Yet To Come - 1995 Digital Remaster
Nancy Wilson, Robert Norberg
Great Ladies Of Song / Spotlight On Nancy Wilson
2:22 January 1, 1995
BPM
106
Key
A♭ Major
Camelot
4B

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The Best Is Yet To Come - 1995 Digital Remaster by Nancy Wilson, Robert Norberg Song Details

Nancy Wilson, Robert Norberg's ' "The Best Is Yet To Come - 1995 Digital Remaster" was released on its scheduled release date, January 1, 1995. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Best Is Yet To Come - 1995 Digital Remaster's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nancy Wilson's "Great Ladies Of Song / Spotlight On Nancy Wilson" album is number 4 out of 20. In terms of popularity, The Best Is Yet To Come - 1995 Digital Remaster is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of The Best Is Yet To Come - 1995 Digital Remaster by Nancy Wilson, Robert Norberg to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-13.647 dB
Acousticness
54%
Danceability
50%
Energy
26%
Instrumentalness
0%
Liveness
17%
Loudness
77%
Speechiness
4%
Valence
70%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records