"Stars Wars - The Force Awakens: II, Rey's Theme" by John Williams, Deutsche Philharmonie Merck, Jason Weaver had its release date on July 7, 2017. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jason Weaver, Deutsche Philharmonie Merck's "Magic of Movie" album is number 10 out of 15. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Stars Wars - The Force Awakens: II, Rey's Theme is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stars Wars - The Force Awakens: II, Rey's Theme by John Williams, Deutsche Philharmonie Merck, Jason Weaver to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Until the Next Adventure | Gordy Haab | G Minor | 4 | 6A | 105 BPM | ||
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| Star Trek - The Motion Picture: Main Title | Jerry Goldsmith, Boston Pops Orchestra, John Williams | C Major | 3 | 8B | 131 BPM | ||
| Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | ||
| Now You See Me 2 Main Titles | Brian Tyler | B Minor | 6 | 10A | 103 BPM | ||
| Your Mother | Joel P West | E Minor | 1 | 9A | 83 BPM | ||
| My Favorite Day | Geoff Zanelli, Jon Brion | C Major | 1 | 8B | 82 BPM | ||
| Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
| A Grand Day Out | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | F Major | 3 | 7B | 120 BPM | ||
| Fratelli Chase | Dave Grusin | D Minor | 4 | 7A | 80 BPM | ||
| The Center Of The Earth | Andrew Lockington | G Major | 1 | 9B | 80 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| A New Home | John Williams | B♭ Major | 1 | 6B | 81 BPM | ||
| Shore: The Fellowship of the Ring: Lord of the Rings - Main Theme - From "The Fellowship of the Ring: Lord of the Rings" | The City of Prague Philharmonic Orchestra, Nic Raine | C Major | 2 | 8B | 91 BPM | ||
| Fargo | Carter Burwell | E Minor | 1 | 9A | 85 BPM | ||
| Through Darkness | Stephen Barton, Gordy Haab | B♭ Major | 0 | 6B | 120 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| Ride to Death | Carter Burwell | G Major | 0 | 9B | 83 BPM | ||
| Main Title Overture / The Greatest Game Ever Played - Score | Brian Tyler | C Major | 3 | 8B | 119 BPM | ||
| The Cleaner | Randy Newman | C Minor | 3 | 5A | 83 BPM | ||
| James Bond Theme | John Barry, Monty Norman | C Major | 7 | 8B | 142 BPM | ||
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
| Ratatouille Main Theme | Michael Giacchino | B Minor | 1 | 10A | 73 BPM | ||
| Through the Eyes of Love (From "Ice Castles") [Arr. B. Byers for Orchestra] - Instrumental | Marvin Hamlisch, John Williams, Boston Pops Orchestra | A Major | 1 | 11B | 72 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM |