Barbarella And The Boogie Blues, Rachel M's 'Why Oh Why' had a release date set for December 12, 2024. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 8 in A Good Length by Barbarella And The Boogie Blues, Rachel M. In terms of popularity, Why Oh Why is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Why Oh Why by Barbarella And The Boogie Blues, Rachel M is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Objectifying You | Barbarella And The Boogie Blues, Rachel M | A Minor | 3 | 8A | 80 BPM | ||
| No Time Left | Jesse Mills Band | E♭ Major | 7 | 5B | 158 BPM | ||
| Walk On By | Danielle Nicole | G Major | 3 | 9B | 180 BPM | ||
| I Got To Make You Mine | Ronnie Baker Brooks | F Major | 9 | 7B | 97 BPM | ||
| Trouble | Adela Dickens | B Minor | 6 | 10A | 164 BPM | ||
| Back to Chicago (feat. Mike Zito) | Lauren Anderson, Mike Zito | B♭ Minor | 5 | 3A | 80 BPM | ||
| Empty Room | The Sad Guitar, Misery Guitar Strings, The Underground Blues Crew, Jimmy Jake | E Major | 1 | 12B | 156 BPM | ||
| Who's In? | Nightfly | B Minor | 5 | 10A | 88 BPM | ||
| Feelin' Better Now | Andrew Duncanson, Michael Peloquin | E Major | 7 | 12B | 76 BPM | ||
| Empire | The Dead Reds | E♭ Major | 7 | 5B | 158 BPM | ||
| Bad Disposition With the Blues | Nick Schnebelen | B Minor | 9 | 10A | 133 BPM | ||
| Fool the Priest | Peder Pan | G Major | 2 | 9B | 192 BPM | ||
| Other Dude Blues | Jesse Redwing | F Minor | 9 | 4A | 96 BPM | ||
| They Destroyed My Hard Work | Daylight Rapture | F♯ Major | 4 | 2B | 102 BPM | ||
| Gamzedeyim Deva Bulmam | Turkish Nomadic | E♭ Major | 7 | 5B | 158 BPM | ||
| What You Put on Me | Fiona Boyes | C Major | 9 | 8B | 114 BPM | ||
| Sweet Marie | Altered Five Blues Band | C Major | 9 | 8B | 91 BPM | ||
| I Am The Money | Cole Adams, Paul Niehaus IV | B Minor | 3 | 10A | 161 BPM | ||
| Stakes Have Gone Up | Sena Ehrhardt | C Major | 8 | 8B | 123 BPM | ||
| I Could Be That Woman | Barbarella And The Boogie Blues, Rachel M | F Major | 1 | 7B | 132 BPM | ||
| Yellow Green Blues | Anita Jane Paul | B♭ Major | 6 | 6B | 120 BPM | ||
| Goin' Back Home (Freedom Mix) | Eva Carboni | F Minor | 4 | 4A | 80 BPM | ||
| Feelin’ Blue | Whiskey Blues Man | C Major | 3 | 8B | 156 BPM | ||
| Slidin’ to Call for Action | Norbert Egger | D♭ Major | 7 | 3B | 130 BPM | ||
| Fog in Birmingham | Shelby Street Blues | E♭ Major | 7 | 5B | 158 BPM |