- BPM
- 127
- Key
- A♭ Major
- Camelot
- 4B
L’Heure exquise (The Exquisite Hour) by Reynaldo Hahn, David Hobson, David McSkimming Song Details
"L’Heure exquise (The Exquisite Hour)" by Reynaldo Hahn, David Hobson, David McSkimming had its release date on February 13, 2004. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. L’Heure exquise (The Exquisite Hour)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Exquisite Hour: A French Collection". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Australia. Based on our statistics, L’Heure exquise (The Exquisite Hour)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With L’Heure exquise (The Exquisite Hour) by Reynaldo Hahn, David Hobson, David McSkimming having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
Music Key
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -17.457 dB
- Acousticness
- 98%
- Danceability
- 22%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'île du rêve, Acte 1: I. Scène. Ô pays de Bora-Bora | Reynaldo Hahn, Munich Radio Orchestra, Herve Niquet, Chœur du Concert Spirituel, Hélène Guilmette | E♭ Major | 1 | 5B | 82 BPM | |
 | Handel: Keyboard Suite in G Minor, HWV 434: IV. Menuet (With Alternate Kempff Version) | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
 | The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 72 BPM | |
 | Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 70 BPM | |
 | No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | |
 | 6 Melodies, Op. 4 - 6 melodies, Op. 5: Andante soave | Fanny Mendelssohn, Beatrice Rauchs | E♭ Major | 0 | 5B | 69 BPM | |
 | Minuet in G Minor, HWV 434 No. 4 (Arr. Kempff for Piano) | George Frideric Handel, Seong-Jin Cho | G Minor | 0 | 6A | 73 BPM | |
 | I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | |
 | Mélodie in Ab Major - arr. for orchestra | Louise Farrenc, Prague Metropolitan Orchestra, Shea Lolin | A♭ Major | 1 | 4B | 64 BPM | |
 | Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | |
 | Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | |
 | 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | |
 | Orfeo ed Euridice: Melody (Arr. G. Sgambati) | Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 73 BPM | |
 | Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | |
 | Gluck: La plainte d’Orphée (Arr. Kempff for Piano After Dance of the Blessed Spirits from Orfeo, Wq. 30) | Christoph Willibald Gluck, Shani Diluka | D Minor | 0 | 7A | 76 BPM | |
 | Consolations, S. 172: No. 2 in E Major. Un poco più mosso | Franz Liszt, Leif Ove Andsnes | B Major | 0 | 1B | 131 BPM | |
 | Le rossignol éperdu, Versailles: No. 49, Le banc songeur | Reynaldo Hahn, Susan Manoff | E♭ Major | 1 | 5B | 74 BPM | |
 | When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | |
 | Lyric Pieces: Melodie / Melody, Op. 47, 3 | Edvard Grieg, Heidi Kommerell | E♭ Major | 1 | 5B | 74 BPM | |
 | Royer: Premier livre de pièces de clavecin: No. 6, L'aimable | Joseph-Nicolas-Pancrace Royer, David Fray | G Minor | 1 | 6A | 69 BPM | |
 | Nocturnes, Op. 16: IV. Nocturne No. 4 | Ignacy Jan Paderewski, Hubert Rutkowski | E Minor | 1 | 9A | 76 BPM | |
 | Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Piotr Anderszewski | E♭ Major | 1 | 5B | 74 BPM | |
 | Massenet: Élégie (Version for Cello and Piano) | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM |
- ISRC
- AUAB00650531
- Label
- L-M Records/RCA Records