Primetime Tracks, Russell Landwehr's ' "Get The Facts" was released on its scheduled release date, May 8, 2020. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Get The Facts's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 17 in Crime & Investigation by Primetime Tracks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Get The Facts is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Get The Facts by Primetime Tracks, Russell Landwehr is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unveiled | Ziggy | F Major | 6 | 7B | 124 BPM | ||
| Derby Day | Chris Roden, Primetime Tracks | G Major | 7 | 9B | 130 BPM | ||
| Moments Of Nostalgia | Sean Tinnion, Primetime Tracks | C Minor | 3 | 5A | 57 BPM | ||
| Lore | Trevor Kowalski | D Minor | 2 | 7A | 116 BPM | ||
| The Best Way Out Is Through | Trevor Kowalski | G Major | 2 | 9B | 138 BPM | ||
| Edge of Possibility | Spearfisher, Brianna Tam | E Minor | 2 | 9A | 96 BPM | ||
| Moment Of Truth | Adrian Raso, Primetime Tracks | D♭ Major | 9 | 3B | 128 BPM | ||
| Buried Alive | Paolo Argento, Primetime Tracks | D♭ Major | 7 | 3B | 120 BPM | ||
| Critical Evidence | Paolo Argento, Primetime Tracks | B♭ Minor | 7 | 3A | 115 BPM | ||
| The Great Escape | Christoffer Moe Ditlevsen | A Major | 5 | 11B | 150 BPM | ||
| Chills | Bern Ban, Primetime Tracks | G Major | 7 | 9B | 130 BPM | ||
| Kite in the Sky | Magnus Ludvigsson | G Minor | 3 | 6A | 141 BPM | ||
| Of Virtue | Christoffer Moe Ditlevsen, Anna Dager, Hanna Ekström | C Major | 5 | 8B | 139 BPM | ||
| A Place for Us | Howard Harper-Barnes | B Major | 3 | 1B | 120 BPM | ||
| Tears of Joy | Laurent Dury, Brice Davoli | G Major | 4 | 9B | 67 BPM | ||
| Power Junkie | Primetime Tracks, Megan McDuffee | F Minor | 9 | 4A | 138 BPM | ||
| Evening Emulations | Roa, Primetime Tracks | E♭ Major | 2 | 5B | 110 BPM | ||
| Come Spring | Megan Wofford | B♭ Major | 1 | 6B | 67 BPM | ||
| The House Of Terror | Paolo Argento, Primetime Tracks | D Major | 9 | 10B | 116 BPM | ||
| Free Puppies | Steven McDonald, Primetime Tracks | F Major | 5 | 7B | 120 BPM | ||
| When Before Became After | Medité | D Major | 4 | 10B | 134 BPM | ||
| Synesthesia | Clarence Reed | A Major | 1 | 11B | 130 BPM | ||
| City Limits | Bern Ban, Primetime Tracks | G Major | 7 | 9B | 130 BPM | ||
| Sanguine Fluid | Martyn John Larcombe, Primetime Tracks | D♭ Major | 3 | 3B | 87 BPM | ||
| By the Fire's Warmth | Jon Björk | C Minor | 1 | 5A | 100 BPM |