"Terrifying Japanese Coldplay Documentary" by Palehorse had its release date on July 1, 2016. This song is quite longer than the average track at 5 minutes and 15 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in Palehorse's "Looking Wet in Public" album is number 5 out of 6. On top of that, France appears to be the country where this track was created. Terrifying Japanese Coldplay Documentary is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Terrifying Japanese Coldplay Documentary by Palehorse to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Period Fuck | Rectal Hygienics | F♯ Minor | 6 | 11A | 75 BPM | ||
| Until We're Dust | Portrayal of Guilt | D♭ Major | 10 | 3B | 62 BPM | ||
| neglect | fluoride | F Major | 9 | 7B | 120 BPM | ||
| Spare No Man | Ragana | A Major | 7 | 11B | 119 BPM | ||
| Fractures in Adults | KEN Mode | D♭ Major | 10 | 3B | 162 BPM | ||
| Spent | Pissed Jeans | D Major | 7 | 10B | 111 BPM | ||
| Lambs to the Laughter | Palehorse | F♯ Major | 8 | 2B | 131 BPM | ||
| Suffer | Dead in the Dirt | C Major | 10 | 8B | 158 BPM | ||
| No Not At All | Blacklisters | C Minor | 7 | 5A | 180 BPM | ||
| Fucking Towards Salvation | Gulch | D♭ Major | 10 | 3B | 133 BPM | ||
| Blow Down | Admiral Angry | A Major | 10 | 11B | 97 BPM | ||
| No Gentle Art | KEN Mode | F♯ Major | 7 | 2B | 180 BPM | ||
| Fatalist | Cursed | C Major | 10 | 8B | 144 BPM | ||
| Prefect | Mizmor, Thou | D Major | 10 | 10B | 137 BPM | ||
| The Vivication of Ker | Salomé | C Major | 5 | 8B | 92 BPM | ||
| Widowmaker | Cloud Rat | A♭ Major | 9 | 4B | 79 BPM | ||
| SOMETHING'S GOT TO GIVE | CAVEMAN | G Major | 10 | 9B | 141 BPM | ||
| Touched by an Angel | Portrayal of Guilt | F♯ Major | 9 | 2B | 160 BPM | ||
| Rape | Indian | B Major | 5 | 1B | 80 BPM | ||
| Purgatory | Nerver | F♯ Minor | 7 | 11A | 114 BPM | ||
| No Chain | Dead in the Dirt | G Major | 10 | 9B | 82 BPM | ||
| The Shower | Palehorse | F♯ Major | 7 | 2B | 124 BPM | ||
| Discolored | holder | D♭ Major | 10 | 3B | 98 BPM | ||
| Crawl Off and Die | Chained to the Bottom of the Ocean | C Minor | 8 | 5A | 121 BPM | ||
| Bird Feed | Palehorse | D♭ Major | 7 | 3B | 133 BPM |