On June 25, 2005, the song "Pelo Vanjhiyo Taad Pelo Phano" was released by Jashvant Rathava. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Rojadi". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. In terms of popularity, Pelo Vanjhiyo Taad Pelo Phano is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pelo Vanjhiyo Taad Pelo Phano by Jashvant Rathava having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darashadi Bhagu | Satish Tarabada, Tulsi Tarabada, Jashvant Rathava | A♭ Major | 8 | 4B | 124 BPM | ||
| Tali Pado to Mara Ram Ni | Master Rana | G Minor | 7 | 6A | 114 BPM | ||
| Chokari Pate Gai Mari Style Ma | Satish Tarabada, Tulsi Tarabada, Jashvant Rathava | A♭ Major | 8 | 4B | 124 BPM | ||
| Arji Sunine Vaheli | Pamela Jain, Kirtidan Gadhvi | G Major | 7 | 9B | 150 BPM | ||
| Gher Gher Havaj | Parul Rathva | B♭ Minor | 9 | 3A | 132 BPM | ||
| Havaj Ni Border, Pt. 1 | Parul Rathva, Ritesh Bhaliya | E Minor | 9 | 9A | 132 BPM | ||
| MEVAD NA SHRIJI BAVA | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Daldu Ghavanu Gori Tara Premma | Rajdeep Barot, Vanita Barot | E♭ Minor | 9 | 2A | 110 BPM | ||
| He Chori Dholakina Tale Tale | Jashvant Rathava | B♭ Minor | 6 | 3A | 60 BPM | ||
| Aarti Keejei Hanuman Lala Ki | Narendra Chanchal | E♭ Minor | 6 | 2A | 117 BPM | ||
| Kishan Rathva Express Part 3 | Kishan Rathva | A♭ Major | 9 | 4B | 116 BPM | ||
| Bhar Bajare Boom DJ (Remix) | Vijay Suvada, Utsav Akhaj | D♭ Minor | 8 | 12A | 105 BPM | ||
| Tari Murti re Chhe jo Nenuno | Sadhu Shukmunidas | D♭ Minor | 5 | 12A | 130 BPM | ||
| O Chokari Tane Temali Ramadi Dau | Jashvant Rathva, Satish Tarabada, Tulsi Tarabada | F♯ Major | 7 | 2B | 128 BPM | ||
| Jai Saraswati Mata | Sadhana Sargam | F♯ Major | 6 | 2B | 96 BPM | ||
| Bhole Ki Jai Jai | Vikram Hazra | B♭ Major | 7 | 6B | 118 BPM | ||
| Nanpan Ni Tari Mari Maya | Jashvant Rathava | F Minor | 5 | 4A | 49 BPM | ||
| LEHAR MA LILA LEHAR | NITIN DEVKA-NIDHO DHOLKIA | D♭ Major | 7 | 3B | 89 BPM | ||
| Picture Taru Puru | Parul Rathva | B♭ Minor | 9 | 3A | 132 BPM | ||
| Van Ni Koyaladi | Jashvant Rathava, Kamlesh Barot, Kokila Rathava, Ramila Rathava | B♭ Major | 7 | 6B | 167 BPM | ||
| Peli Juvanadi Bhaguriyo Dekhan | Jashvant Rathva | F Minor | 7 | 4A | 110 BPM | ||
| Dihi Ma Dihiwarin (Kantikartik) | OP Dewangan | D♭ Major | 9 | 3B | 130 BPM | ||
| Chamunda Maa Ni Aarti | Raghuveer Kunchala, Meena Patel | E Minor | 7 | 9A | 95 BPM | ||
| Apoman | Bari Siddiqui | G Major | 7 | 9B | 108 BPM | ||
| Kishan Rathva Express | Kishan Rathva | G Major | 9 | 9B | 140 BPM |