Ladies of Soul, Berget Lewis, Glennis Grace, Edsilia Rombley, Candy Dulfer's 'Telephone Medley (Calling You/Mr. Telephone Man/How Come You Don't Call Me Anymore?/534-5789) - Live' had a release date set for May 10, 2019. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Ladies of Soul's "Ladies of Soul (Live at the Ziggo Dome 2019)" album is number 15 out of 27. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Telephone Medley (Calling You/Mr. Telephone Man/How Come You Don't Call Me Anymore?/534-5789) - Live's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Telephone Medley (Calling You/Mr. Telephone Man/How Come You Don't Call Me Anymore?/534-5789) - Live by Ladies of Soul, Berget Lewis, Glennis Grace, Edsilia Rombley, Candy Dulfer to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guilty (feat. Barry Gibb) - Live Duet With Barry Gibb | Barbra Streisand, Barry Gibb | F♯ Major | 7 | 2B | 156 BPM | ||
| Someday We'll All Be Free | Kenny Kirby | F♯ Major | 5 | 2B | 77 BPM | ||
| Through the Fire | Chaka Khan | A♭ Major | 5 | 4B | 131 BPM | ||
| What's Going On - Live in Holland, 2012 | Paul Carrack | C Major | 8 | 8B | 84 BPM | ||
| I Keep Forgetting | Patti LaBelle | E Minor | 7 | 9A | 96 BPM | ||
| Unforgettable Echoes | Verna Walsh | B♭ Major | 9 | 6B | 133 BPM | ||
| Love You All The Way | Claudia Campagnol | C Major | 7 | 8B | 108 BPM | ||
| Reasons | Leonid & Friends | E♭ Major | 7 | 5B | 127 BPM | ||
| On The Wings Of Love | Jeffrey Osborne | F Major | 4 | 7B | 122 BPM | ||
| End Of The Road Medley | Gladys Knight | E Major | 5 | 12B | 151 BPM | ||
| Father | QUINZE | A Minor | 5 | 8A | 120 BPM | ||
| R&B Medley - Live at AFAS | Joël Borelli | A Major | 5 | 11B | 69 BPM | ||
| What is Hip | Leonid & Friends | A Major | 10 | 11B | 102 BPM | ||
| Just To Be Close To You - Live / 1977 | Commodores | C Major | 6 | 8B | 94 BPM | ||
| Didn't We Almost Have It All | Ladies of Soul, Glennis Grace | A Major | 5 | 11B | 122 BPM | ||
| Bridge Over Troubled Water - From The Voice Of Holland 7 | Dwight Dissels | C Major | 4 | 8B | 87 BPM | ||
| Little Bit Longer | Steffen Morrison | F Minor | 5 | 4A | 77 BPM | ||
| Soul on Fire | GrooveBoom | C Minor | 6 | 5A | 114 BPM | ||
| Positivity | Steffen Morrison | E♭ Major | 4 | 5B | 103 BPM | ||
| Got To Believe | Cain Walker | B♭ Major | 9 | 6B | 133 BPM | ||
| Love, Need and Want You/Dilemma - Live | Ladies of Soul, Berget Lewis, Glennis Grace, Edsilia Rombley, Candy Dulfer | C Major | 6 | 8B | 166 BPM | ||
| I'm Gonna Be Fine | Midnight Soul Session | C Minor | 4 | 5A | 112 BPM | ||
| Man In The Mirror - Live | Ladies of Soul | A♭ Major | 6 | 4B | 100 BPM | ||
| E scris undeva (Varianta Soul) | Suflet Pe Vinil | G Minor | 4 | 6A | 165 BPM | ||
| Best Is Yet To Come | Tony Momrelle | D♭ Minor | 7 | 12A | 98 BPM |