"Can Doleful Notes?" by The Royal Wind Music had its release date on October 4, 2007. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Can Doleful Notes?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 22 in A Noble Noyse of Musicke by The Royal Wind Music. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Can Doleful Notes? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Can Doleful Notes? by The Royal Wind Music is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia | The Royal Wind Music | D♭ Major | 0 | 3B | 89 BPM | ||
| Atys, LWV 53, Act I: Récit et quatuor. Allons, allons, accourez tous | Jean-Baptiste Lully, Hasnaa Bennani, Sandrine Piau, Adrien Fournaison, Mathias Vidal, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Major | 4 | 7B | 90 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | F Major | 4 | 7B | 90 BPM | ||
| Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| Introduzione al Gloria "Longe mala, umbrae, terrores", RV 640 | Antonio Vivaldi, Paul-Antoine Bénos-Djian, Café Zimmermann, Pablo Valetti | F Major | 4 | 7B | 90 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): VII. Gloria Patri | Johann Adolf Hasse, Accademia Barocca Lucernensis, Alberto Miguélez Rouco, Javier Ulises Illán | B Major | 3 | 1B | 99 BPM | ||
| Christ lag in Todesbanden, BWV 4: VII. Versus 6. So feiern wir das hohe Fest | Johann Sebastian Bach, Sébastien Daucé, Ensemble Correspondances, Caroline Weynants, Raphael Höhn | E Minor | 2 | 9A | 178 BPM | ||
| Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Dixit Dominus, HWV 232: II. Virgam virtutis tuae | George Frideric Handel, Alex Potter, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
| Biber: Mensa sonora: Pars No. 3 in A Minor: I. Gagliarda. Allegro | Heinrich Ignaz Franz von Biber, Nikolaus Harnoncourt, Concentus Musicus Wien | D♭ Major | 2 | 3B | 135 BPM | ||
| Handel: Nisi Dominus, HWV 238: III. Cum dederit dilectis suis somnum | George Frideric Handel, Andrew Parrott, Margaret Cable, Taverner Players | F♯ Minor | 0 | 11A | 101 BPM | ||
| Rossi: L'Orfeo, Act 3: "Dormite, begl'occhi, dormite" (Coro) | Luigi Rossi, Diego Fasolis, Lorenza Donadini, Caterina Iora, Alice Rossi, Isabella Hess, I Barocchisti | E♭ Major | 0 | 5B | 67 BPM | ||
| Domine, ne in furore, SV 298 | Claudio Monteverdi, Margaret Phillips, Harry Christophers, The Sixteen | B Major | 1 | 1B | 105 BPM | ||
| Fantasia, VdGS No. 4 | Thomas Brewer, Ricercar Consort, Philippe Pierlot | B Minor | 1 | 10A | 75 BPM | ||
| Rossi: Ai sospiri, al dolore | Luigi Rossi, Tragicomedia | G Minor | 0 | 6A | 65 BPM | ||
| Venus y Adonis (Arr. by Alberto Miguélez Rouco), Sinfonia in F Major: II. Andante | José de Nebra, Los Elementos, Alberto Miguélez Rouco | D♭ Major | 4 | 3B | 100 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act I: To the Hills and the Vales (Chorus) | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro, Il pomo d'oro Choir | F♯ Minor | 0 | 11A | 172 BPM | ||
| Harp Consort No. 11 in D Minor: Fantazy | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Mazzocchi: Sospirate bellezze (Dal "Florido concento di madrigali") | Virgilio Mazzocchi, Tragicomedia | A♭ Minor | 0 | 1A | 105 BPM | ||
| Missa pro defunctis: IV. Offertorium | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | G Minor | 2 | 6A | 68 BPM | ||
| Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 0 | 10B | 84 BPM | ||
| Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
| English Toy | The Royal Wind Music | G Major | 3 | 9B | 103 BPM | ||
| Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Ave, verum templum Dei" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM |