A.R. Rahman, Lata Mangeshkar's 'Pyaara Sa Gaon' had a release date set for September 8, 2000. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. This song is part of Zubeidaa (Original Motion Picture Soundtrack) by A.R. Rahman. The song's track number on the album is #6 out of 8 tracks. Based on our data, India was the country where this track was produced or recorded. In terms of popularity, Pyaara Sa Gaon is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since Pyaara Sa Gaon by A.R. Rahman, Lata Mangeshkar has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pyaara Sa Gaon being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM | ||
| Bhej Kahaar | Vishal Bhardwaj, Lata Mangeshkar | B Minor | 3 | 10A | 102 BPM | ||
| Mohe Chhedo Na | Lata Mangeshkar | B Major | 4 | 1B | 133 BPM | ||
| General Sahab Karo Taiyari | Mohammed Aziz, Sudesh Bhosle, Laxmikant–Pyarelal | F♯ Major | 6 | 2B | 89 BPM | ||
| Aey Hawaa | Vishal Bhardwaj, Lata Mangeshkar | F Major | 4 | 7B | 103 BPM | ||
| Chinnamma Chilakkamma | Sukhwinder Singh, A.R. Rahman | D Major | 7 | 10B | 80 BPM | ||
| Nainon Men Sapna | Kishore Kumar, Lata Mangeshkar | F Major | 6 | 7B | 134 BPM | ||
| Tirchi Topiwale - 1 | Amit Kumar, Sapna Mukherjee | F Minor | 8 | 4A | 124 BPM | ||
| Main Kaise Kahoon Janeman | Jagjit Singh | D♭ Major | 4 | 3B | 102 BPM | ||
| Lagne Laga Hai Mujhe Aajkal | Anuradha Paudwal, S. P. Balasubrahmanyam | F♯ Major | 4 | 2B | 80 BPM | ||
| Raga Dance | A.R. Rahman | D Major | 4 | 10B | 115 BPM | ||
| Chalo Ek Baar Phir Se | Mahendra Kapoor, Sahir Ludhianvi | F Minor | 2 | 4A | 92 BPM | ||
| Khoya Khoya Chand Khula Aasman (From "Kala Bazar") | Mohammed Rafi | A Major | 5 | 11B | 81 BPM | ||
| Maine Tere Liye | Mukesh | E♭ Major | 7 | 5B | 126 BPM | ||
| Shola Shola Tu Bhadke | S. P. Balasubrahmanyam, Debashish Dasgupta, Sapna Mukherjee, Behroze Chatterjee | F Minor | 8 | 4A | 103 BPM | ||
| Lata Mangeshkar Speaks & The Making Of Tum Paas Aa Rahe Ho | Madan Mohan, Lata Mangeshkar, Jagjit Singh, Javed Akhtar | C Major | 4 | 8B | 90 BPM | ||
| Tu Hi Too | M. G. Sreekumar, K. S. Chithra, A.R. Rahman | D Major | 6 | 10B | 127 BPM | ||
| Zara Zara (From "Gandhi Talks") | A.R. Rahman, Hinanaaz Bali, Faiz Mustafa, Nirmika Singh | C Major | 2 | 8B | 134 BPM | ||
| Latka Swarnalatha | Swarnalatha | D Major | 5 | 10B | 88 BPM | ||
| Baabul Bidaai Song | Richa Sharma | D♭ Major | 1 | 3B | 134 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 2 | Hemlata, Ravindra Jain | F Minor | 4 | 4A | 120 BPM | ||
| Jhoola Kinne Dala | Shahida Khan | E♭ Major | 5 | 5B | 101 BPM | ||
| Title Music | Ismail Darbar | A Major | 5 | 11B | 99 BPM | ||
| Rukmani Rukmani - Instrumental | A.R. Rahman, Baba Sehgal, Shweta Shetty | B♭ Minor | 7 | 3A | 84 BPM | ||
| Farishton | Khatija Rahman | A Major | 2 | 11B | 147 BPM |