"Let Go" by Kevin Matley had its release date on March 15, 2024. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Let Go's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 17 in Arthur the King (Original Motion Picture Score) by Kevin Matley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Let Go is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Let Go by Kevin Matley is Lento (slowly), since this song has a tempo of 55 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Provocaciones | Beaudrix | D♭ Major | 3 | 3B | 85 BPM | ||
| A Dream Within a Dream | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Dark Skies | Kevin Matley | E Minor | 5 | 9A | 160 BPM | ||
| City On The Edge Of Night | All Tomorrow's Futures | D♭ Major | 3 | 3B | 160 BPM | ||
| A Working Artist | Jamin Winans | B♭ Major | 2 | 6B | 129 BPM | ||
| Dirty 303 Route | Blake | F♯ Major | 4 | 2B | 96 BPM | ||
| Snapped | Mac Quayle | F Major | 6 | 7B | 140 BPM | ||
| Mejores Deseos | Falsas Alarmas | C Minor | 1 | 5A | 120 BPM | ||
| Sabr | Culture Capital Music | F Major | 6 | 7B | 140 BPM | ||
| We're Going to Rob It | Cliff Martinez | G Major | 6 | 9B | 135 BPM | ||
| 4 Billion | Martin Phipps, Benji Merrison | F Major | 6 | 7B | 140 BPM | ||
| Remembering Mother | Marco Beltrami, Marcus Trumpp | B Minor | 1 | 10A | 120 BPM | ||
| Perder Comba | Fases Ocultas | C Major | 2 | 8B | 70 BPM | ||
| Journey Sequence | Max Richter | B♭ Major | 1 | 6B | 92 BPM | ||
| Treated like Animals | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Switchbacks | Kevin Matley | G Major | 4 | 9B | 119 BPM | ||
| STATE number 1 | Thorwald Odin | A Minor | 1 | 8A | 131 BPM | ||
| Creating A Moment | David Robidoux | F Major | 6 | 7B | 140 BPM | ||
| Cartas De Despedida | Verdes Atardeceres | C Minor | 3 | 5A | 100 BPM | ||
| Guardarsi Indietro | EDO ZENITH | G Major | 4 | 9B | 123 BPM | ||
| The One | Luke Richards | D Major | 2 | 10B | 116 BPM | ||
| De Milagro En Milagro | Hasta El Final | F Minor | 1 | 4A | 80 BPM | ||
| The Myth Trailer | Jamin Winans | B♭ Major | 6 | 6B | 100 BPM | ||
| Carisma | Harry James | A Minor | 1 | 8A | 105 BPM | ||
| Fletcher Street I | Kevin Matley | F Major | 0 | 7B | 69 BPM |