Colm Mac Con Iomaire's 'The Red Road (An Cosan Dearg)' had a release date set for November 21, 2008. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Red Road (An Cosan Dearg)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Hares Corner". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Ireland. The Red Road (An Cosan Dearg) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Red Road (An Cosan Dearg) by Colm Mac Con Iomaire having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ballantyne (Movement 4 Ballantyne 2) | Calum Martin, Craig Armstrong, Hugh Wilson, Cecilia Weston, Scottish Ensemble, Neil Johnstone, Duncan Chisholm | C Major | 1 | 8B | 68 BPM | ||
| All Good Things | Caoimhín Ó Raghallaigh, Thomas Bartlett | E Minor | 1 | 9A | 93 BPM | ||
| Unnamed Unseen | Ellie Wilson | D Major | 2 | 10B | 135 BPM | ||
| Tidekverv II / Timeturning II | Benedicte Maurseth, Berit Opheim, Rolf Liselvand, Håkon Mørch Stene | A♭ Minor | 2 | 1A | 91 BPM | ||
| Highway to Warrington | Sam Sweeney | F♯ Minor | 2 | 11A | 112 BPM | ||
| All on a Summer's Evening | Karine Polwart, Pippa Murphy | A Minor | 0 | 8A | 94 BPM | ||
| Solan Goose | Erland Cooper | C Major | 2 | 8B | 98 BPM | ||
| Osprey | Bert Jansch, Martin Jenkins | A♭ Minor | 4 | 1A | 103 BPM | ||
| Zona Rosa | Caoimhín Ó Raghallaigh, Thomas Bartlett | G Major | 1 | 9B | 93 BPM | ||
| Caoineadh Johnny Sheain Jeaic | Duncan Chisholm | A♭ Minor | 2 | 1A | 94 BPM | ||
| Bagpipers | Leveret | G Major | 6 | 9B | 105 BPM | ||
| A Bhriogais Uallach / Highean Donn nan Gobhar | Brighde Chaimbeul | F Major | 3 | 7B | 158 BPM | ||
| Solaris | Arthur Jeffes, Penguin Cafe | B Minor | 6 | 10A | 155 BPM | ||
| The Light of Tuscany | Duncan Chisholm | A♭ Major | 2 | 4B | 122 BPM | ||
| Emer's Dream (Aisling Eimear) | Colm Mac Con Iomaire | D Major | 2 | 10B | 139 BPM | ||
| Fifty Verses | Melrose Quartet | C Major | 3 | 8B | 142 BPM | ||
| Quiet Voices | Mike Vass | G Major | 2 | 9B | 144 BPM | ||
| The Fairburn Calf | Lauren MacColl | D Major | 2 | 10B | 92 BPM | ||
| Last Lullaby | The Unthanks | D Major | 2 | 10B | 207 BPM | ||
| Daire's Dream | Davy Spillane | B Minor | 2 | 10A | 171 BPM | ||
| Port Sadbh | Martin Hayes Quartet | B Minor | 7 | 10A | 128 BPM | ||
| Crystal 8s | King Creosote | F Major | 2 | 7B | 75 BPM | ||
| Secondwave (Maidhm A Do) | Colm Mac Con Iomaire | F Major | 4 | 7B | 88 BPM | ||
| Wing Commander | The Fretless | F♯ Minor | 6 | 11A | 117 BPM | ||
| prayer for tears | the olllam, John McSherry, Michael Shimmin, Tyler Duncan | C Major | 3 | 8B | 106 BPM |