"Pulchra es amica mea - Francesco Rognoni" by Giovanni Pierluigi da Palestrina, Lambert Colson, Bernard Foccroulle had its release date on February 28, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Un Cornetto a Roma". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Belgium. Pulchra es amica mea - Francesco Rognoni is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pulchra es amica mea - Francesco Rognoni by Giovanni Pierluigi da Palestrina, Lambert Colson, Bernard Foccroulle having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
| All-Night Vigil, Op. 37: XIII. The Troparion. "Today Salvation Has Come to the World" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy | E Major | 1 | 12B | 123 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Lux aeterna: IV. Veni, sancte spiritus | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | A Major | 1 | 11B | 69 BPM | ||
| O gloriosa virginum | Krzysztof Penderecki, Latvian Radio Choir, Sigvards Kļava | F Minor | 1 | 4A | 81 BPM | ||
| Palestrina: Motettorum liber quartus "Canticum canticorum": No. 3, Nigra sum, sed formosa | Giovanni Pierluigi da Palestrina, Chanticleer | F Minor | 1 | 4A | 88 BPM | ||
| O mors, ero mors tua | Guillaume Bouzignac, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | E♭ Major | 2 | 5B | 65 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | F Major | 0 | 7B | 79 BPM | ||
| Frescobaldi: Messa sopra l'aria della monica: IV. Sanctus | Girolamo Frescobaldi, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 1 | 6A | 127 BPM | ||
| Vespers, Op. 37: IV. Peaceful Light | Sergei Rachmaninoff, Victor Rumyantsev, Valery Polyansky, The USSR Ministry of Culture Chamber Choir | F♯ Minor | 0 | 11A | 124 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Sanctus (From Missa Benedicta Es) | Giovanni Pierluigi da Palestrina, The Tallis Sholars | B Major | 2 | 1B | 65 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Passion Week, Op. 58: I. Behold, the Bridegroom | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | D♭ Minor | 1 | 12A | 129 BPM | ||
| Dolores mortis | Diomedes, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | E Minor | 1 | 9A | 118 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
| S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 1 | 8A | 133 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
| COURTESY | Yasuharu Takanashi, NDR Radiophilharmonie, Pop-Up, Michael England | F Major | 0 | 7B | 79 BPM | ||
| Missa sine nomine: IIIb. Et incarnatus | Giovanni Pierluigi da Palestrina, Michel Van Goethem, Vincenzo di Donato, Furio Zanasi, Sergio Foresti, Sergio Vartolo | A Major | 1 | 11B | 133 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM |